Abbey Arts and The Crocodile present: Rett Madison / John Robert

Rett Madison: www.rettmadison.com

"Rett Madison’s new album, One for Jackie, pays tribute to her mom, who passed by suicide in 2019, leaving her only child with an unbearable sense of responsibility to understand her mother better as she mourned her. “My mom struggled with depression, PTSD, and alcoholism all my life, but her death was shocking and unexpected,” Madison says. “Writing this album, I was moving through grief; it was part of my healing process.”

Over 12 songs, Madison distills the weeks and months following her mother’s death, drawing inspiration from the storytelling she admires in Appalachian folks traditions of her home state, West Virginia, the ‘70s output of Bob Dylan and Dusty Springfield, as well as the music her mother raised her on. Beyond borrowing from the past, One for Jackie cements itself as a modern American classic, for fans of acts like Angel Olsen, Phoebe Bridgers, and Brandi Carlile. While Madison describes her debut, Pin-Up Daddy, as a collection of songs she’d sporadically written between the ages of 19 and 21, without a single underlying narrative tying the tracks together, One for Jackie is a story best heard front to back, preferably played loud. Recorded in Tornillo, TX at the storied Sonic Ranch and produced by the Grammy Award-winning Tyler Chester, One for Jackie further elevates Madison’s dextrous musicianship, while her singular voice commands a room from the outset on opening piano ballad “Jacqueline." Her lyrics are at once gutting, openhearted, and wry, giving listeners a multifaceted look at the irreducible process of grieving such immense loss.

The collaboration between Madison, Chester, and an assortment of studio musicians creates a seamless vision, as Madison’s already exceptional guitar and piano playing are joined by synths, assorted percussion instruments, strings, organ, mournful slide guitar, and more. The guilt of having lost a parent to suicide, and not being able to prevent that death, haunted Madison. “My lyrics are pretty confessional and straightforward,” she says. “I want these songs to find people who have been in this situation and need to be reminded that it’s not their fault, and it’s normal to have conflicting feelings.” Storytelling is a part of Madison’s cultural inheritance, and throughout One for Jackie, she openly takes on the perspective of others, imagining herself into moments she never experienced firsthand. “How it All Began” sounds off to early Springsteen, as Madison envisions Jackie’s young adulthood, while the album’s spare and heartrending acoustic closer, sung by Iron & Wine, finds Jackie speaking directly to her daughter, who she called “Kiki.” One for Jackie gives the listener an uncanny sense of familiarity, as if immersing ourselves in Madison’s grief, in her memories, allows us to know a little bit of Jackie, too. This is a testament to Madison’s lyricism; she is specific, exacting, and wise even in her most unguarded moments. In death, we tend to flatten people, turn them saintly and pure and faultless, but One for Jackie does something better: it brings her to life." - Artist Bio

John Robert: www.johnrobert.us

"When John-Robert left his Edinburg, VA, hometown (pop. 1,070) for LA in 2019, he did so with starry-eyed ambition – bypassing a Berklee scholarship to chase his own musical manifest destiny. Grammy-nominated producer Ricky Reed (Leon Bridges, Lizzo) signed him at age 19 to Nice Life/Warner, helping integrate John-Robert’s lilting blend of traditional folk and Appalachian country into the modern pop landscape.

His debut single, “Adeline,” has become an 11M streamer, and collaborations and co-signs from Alessia Cara and Camilla Cabello have cemented him as a deeply auspicious writer. Now, on Garden Snake, the artist hailed as “a small-town teen poised to become the next big singer-songwriter” explores the pull of his past, bursting with the grassroots musicality of his Shenandoah Valley birthplace and the homespun purity of his songwriting.

Ruminating on friendship, loneliness and identity, the self-produced Garden Snake is the soundtrack to a coming-of-age epic. From the back-porch breeze of “Come Pick Me Up” and colorful “Sweet Child” to the West Coast bedroom pop “Road Trip,” wistful “Westward Bound” and red-clay shuffle “Good Days'll Come,” the EP radiates John-Robert’s spirit at the intersection of small-town USA and the internet age.

“Garden Snake is a time capsule,” he says. “It was like trying to make a Virginia record in LA. I’m really proud of myself for seeing it through. It was character building, and it’s something no one can take away from me.”John-Robert is set to release new music in spring 2025." - Artist Bio

@ Ballard Homestead

7p doors, 7:30p show

All ages, mostly seated

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EVENT & VENUE INFO:

Ballard Homestead is partially ADA accessible. Please email boxoffice@fremontabbey.org with questions and for accommodations. ballardhomestead.org/about
Service animals as defined by the ADA are allowed. Service animals are defined as dogs that are individually trained to do work or perform tasks for people with disabilities.
Please limit photos during the show so as to not distract other attendees from the experience.
Please enter quietly if the show has already begun.
Please leave quietly, it's a very quiet neighborhood.
Quiet Picnics Welcome. ie. please no crunchy packaging or loud chips, smelly foods, etc. We sometimes have a few tables out, or you can use the side yard if weather is nice.
Light snacks & non-alcoholic beverages may be available for purchase, but no other food or bar service at Ballard Homestead shows.
We have a mix of padded chairs, benches, and a little standing room in back for big shows.
We are an all ages venue. Kids 10 & under are free at Abbey Arts concerts & arts events unless noted. Please request by emailing boxoffice@fremontabbey.org
Entering the venue indicates agreement to adhere to the Abbey Respect Policy. All are welcome. fremontabbey.org/respect

Rett Madison / John Robert @ BALLARD HOMESTEAD

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