Billiken unveiled: Osaka’s quirky naked grinning icon

VENUE: HYBRID

IN-PERSON: Institutes Boardroom, Coombs Extension Building, 8 Fellows Road, ACTON, ACT 2601

ONLINE: Zoom. Please select the relevant ticket, in-person or online, according to your preferred attendance mode.

Billiken unveiled: Osaka’s quirky naked grinning icon

When visiting Japan, one encounters an array of whimsical characters and creatures—key chains, ornaments, plush dolls, toys, statues, and more. In Osaka, you might come across the intriguingly bizarre mascot for Expo 2025, Myaku-Myaku, a clumsy, shapeshifting figure with multiple eyes and a body composed of red cells and blue water. Yet, amidst this modern parade of oddities, the charming Billiken, Osaka’s unofficial mascot and beloved 'pop culture icon', stands out. With his squat frame and mischievous grin, Billiken might seem like just another quirky figure from the character goods market, which, as Marc Steinberg notes, Japan has turned to for economic revival.

However, Billiken’s story is richer than it appears. Originating as a popular American creation from the early twentieth century, Billiken was swiftly introduced to Japan at the end of the Meiji period. This talk will delve into the fascinating history of Billiken, exploring his status as 'the god of things as they ought to be'.  While he may have faded into obscurity in the United States, he remains a cherished figure in Japan, particularly in Osaka, where his carefree mirth and idealistic, if somewhat subversive, nature continue to captivate.

Discover how Billiken first made his mark, why he vanished for a half-century, and how he made a remarkable comeback, now revered alongside the seven gods of fortune (shichi fukujin). Join us for this engaging talk and see if Billiken’s good luck might just rub off on you!

Speaker: 

Dr Matthew W Shores is a senior lecturer in Japanese at the University of Sydney, specialising in Japanese literary arts and entertainment. His research focuses on traditional comic storytelling (rakugo) and its historical roots, both literary and performative. His recent monograph, The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo, was published by Cambridge University Press.

With extensive experience living and researching in Japan, particularly in the Kansai region, Shores has trained in traditional performing arts, including through apprenticeships with renowned rakugo masters Katsura Bushi V (1930-2005) and Hayashiya Somemaru IV (b. 1949). During his time in Japan, he encountered Billiken, became captivated by his whimsical charm, and has since collected a fascinating array of Billiken memorabilia. For more, visit mwshores.com.

Image: Statue of Billiken in Japan (supplied). 

Light refreshments at 12.50pm.

Billiken unveiled: Osaka’s quirky naked grinning icon

When visiting Japan, one encounters an array of whimsical characters and creatures—key chains, ornaments, plush dolls, toys, statues, and more. In Osaka, you might come across the intriguingly bizarre mascot for Expo 2025, Myaku-Myaku, a clumsy, shapeshifting figure with multiple eyes and a body composed of red cells and blue water. Yet, amidst this modern parade of oddities, the charming Billiken, Osaka’s unofficial mascot and beloved “pop culture icon,” stands out. With his squat frame and mischievous grin, Billiken might seem like just another quirky figure from the character goods market, which, as Marc Steinberg notes, Japan has turned to for economic revival.

However, Billiken’s story is richer than it appears. Originating as a popular American creation from the early twentieth century, Billiken was swiftly introduced to Japan at the end of the Meiji period. This talk will delve into the fascinating history of Billiken, exploring his status as “the god of things as they ought to be.” While he may have faded into obscurity in the United States, he remains a cherished figure in Japan, particularly in Osaka, where his carefree mirth and idealistic, if somewhat subversive, nature continue to captivate.

Discover how Billiken first made his mark, why he vanished for a half-century, and how he made a remarkable comeback, now revered alongside the seven gods of fortune (shichi fukujin). Join us for this engaging talk and see if Billiken’s good luck might just rub off on you!

Speaker: 

Dr Matthew W. Shores is a senior lecturer in Japanese at the University of Sydney, specialising in Japanese literary arts and entertainment. His research focuses on traditional comic storytelling (rakugo) and its historical roots, both literary and performative. His recent monograph, The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo, was published by Cambridge University Press.

With extensive experience living and researching in Japan, particularly in the Kansai region, Shores has trained in traditional performing arts, including through apprenticeships with renowned rakugo masters Katsura Bushi V (1930-2005) and Hayashiya Somemaru IV (b. 1949). During his time in Japan, he encountered Billiken, became captivated by his whimsical charm, and has since collected a fascinating array of Billiken memorabilia. For more, visit mwshores.com.

Image supplied. 

The seminar is followed by light refreshments. 

Contact the ANU Japan Institute Seminar Series Convener: Dr Andrew Levidis at andrew.levidis@anu.edu.au

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The ANU Japan Institute Seminar Series is supported by the Australian Government through the Australia-Japan Foundation of the Department of Foreign Affairs and Trade.