Goya, In the Company of Serpents, Desist, Cosmic Funeral

Formed in 2011 by guitarist and vocalist Jeffrey Owens, Goya's 2012 demo showcased their early potential, but it

was their debut full-length "777" (2013) that announced their fearsome arrival in the doom underground. With

sprawling, riff-heavy compositions and occult-tinged lyrics, "777" resonated deeply with fans of titanic sludge-metal.

Continuing to evolve, Goya released "Obelisk" in 2015, a concept album that refined their blend of psychedelic doom.

They followed this with their magnum opus, 2017's "Harvester of Bongloads", another concept album that leaned as

heavily as ever into their fuzz-laden, riff-driven aesthetic and further cemented their legacy of unrelenting doom and

immersive sonic landscapes.

In the summer of 2024, Goya returned to the road for a West Coast US tour after taking a few years to write their

fourth album, "In the Dawn of November", released in the spring of 2025 via New Mexico-based label Blues Funeral

Recordings (Acid King, Lowrider, Dozer). Goya entered Soundhouse Studios in Seattle in the fall of 2024 with

legendary producer Jack Endino (High On Fire, Year of the Cobra, Soundgarden) to lay down a monolithic work

of graveyard grooves and bleak reflections to herald their towering return with their most accomplished and

unwaveringly bone-crushing record to date.