OPENING NIGHT: Art in Conflict | Stitched and Bound
Event description
Event description
Join us for the Exhibition OPENING NIGHT of Art in Conflict | Stitched and Bound
OPENING NIGHT: 6pm- 8pm, Friday 23 May 2025 | 6-8PM
EXHIBITION DATES: 24 May - 10 August 2025
VENUE: Geraldton Regional Art Gallery, 24 Chapman Road, Geraldton, WA, 6530
Image: Susan Wanji Wanji, Bombing of Darwin, 2016, ochre on linen, AWM2016.251.1. Image courtesy of the Australian War Memorial
Art in Conflict
An Australian War Memorial Touring Exhibition
OPENING NIGHT: FRIDAY 23 May 2025 | 6-8PM
EXHIBITION DATES: 24 May - 10 August 2025
RSVP required and free
Art in Conflict is a touring exhibition of contemporary art from the collection of the Australian War Memorial. Three major bodies of work debut in this exhibition: two recent official war art commissions – Susan Norrie (Iraq, 2016) and Megan Cope (Middle East, 2017) – and a landmark commemorative work by Angelica Mesiti. The exhibition will tour nationally until 2026, before its display in the Australian War Memorial’s new galleries.
A showcase of diverse responses to war, the exhibition includes more than 70 paintings, drawings, films, prints, photography and sculptures. Leading Australian artists are represented such as Khadim Ali, Rushdi Anwar, eX de Medici, Denise Green, Richard Lewer, Mike Parr and Ben Quilty. Aboriginal and Torres Strait Islander art, a collection priority for the Memorial in recent years, is featured, with works by Tony Albert, Paddy Bedford, Robert Campbell Jr, Michael Cook, Shirley Macnamara and Betty Muffler.
Read more: Art in Conflict | Australian War Memorial
Image detail: Lake Ballard by Barbara Weeks
Stitched and Bound 2024/25
OPENING NIGHT: FRIDAY 23 May 2025 | 6-8PM
EXHIBITION DATES: 24 May - 10 August 2025
RSVP required and free
Stitched and Bound is The West Australian Quilters Association Inc. (WAQA) Contemporary Exhibition. It is a biennial, juried exhibition showcasing the innovative range of work being produced by Western Australian artists who challenge the usual concept of the ‘quilt’ medium.
“Stitched and bound 2024/25 is the fourteenth West Australian Quilters Association Inc. (WAQA) Contemporary Exhibition. It showcases 48 innovative works by Western Australian artists. Individually and collectively, the artists challenge the traditional concept of the quilt medium; in concept, design, size, and execution, including the use of unconventional materials and techniques.
The history of quilt-making (and textiles more broadly) has been extensively documented; I will refrain from reviewing that in detail here. Suffice to say that the linguistic roots ‘text’ and ‘textile’ are the same; the Latin word textus, meaning ‘woven’. Textile-related metaphors are woven throughout the English language; we speak of the social fabric of a community, of tying the knot, of feeling a little frayed at the edges. We encounter textiles daily, yet their largely utilitarian nature means that they are usually taken for granted.” Martien van Zuilen, Contemporary Felt Artist, Textile Artisan, Community Artist, Educator, PhD, Anthropology – Textile Material Culture, UWA 2013


Photo credit: Stitched and Bound 2024, at Midland Junction Arts Centre. Photographer: Brad Coleman.

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