“I try to take things I love and use them in a new way,” says triple Grammy-nominated singer-songwriter Peter Case of his 16th solo album, Doctor Moan.

Case brings his considerable songwriting ability to an 11-song collection, largely performed on piano, including his first solo recorded instrumental. Released by Sunset Blvd Records in 2023, Case’s piano-based songs are emotionally, sonically and stylistically rich.

“I grew up on 1950s and ‘60s rock & roll, jazz, classical and folk,” said Case. He has memories of an older sister’s rock ‘n’ roll piano playing reverberating through his childhood home.

“I learned how to play blues as a kid, street singing in San Francisco and then was part of the punk rock movement. It’s all still in there; it’s my musical DNA.”

Case grew up in Hamburg, New York in a house filled with music: Elvis, the Everly Brothers, Ray Charles and, later, Joan Baez and Bob Dylan. He wrote his first song at age eleven and by 16 he left home to begin his voyage of musical discovery, an odyssey chronicled in the 2022 documentary feature film, A Million Miles Away.

As a founding member of the early punk era trio The Nerves, in 1977 Case toured the nation sharing bills with the Ramones, Mink DeVille, Pere Ubu, and Devo. The Nerves seven-inch single “Hanging on the Telephone,” was covered by Blondie. In 1979, Case formed the Plimsouls, a record-breaking live act in California, recording albums for Planet/Elektra and Geffen. Their independent single, “A Million Miles Away,” entered the Billboard charts and remains a garage rock standard, performed by bands around the world. The band performed in the cult classic film Valley Girl and the Nerves' and Plimsouls' timeless teenage rock & roll continues to appeal to fans of each new generation.

As he disbanded the Plimsouls, Case rediscovered his musical roots on his self-titled solo debut, produced by T Bone Burnett. The New York Times declared Peter Case the best album of 1986. It earned a five-star Rolling Stone review and a Grammy nomination. As one of the first songwriters of his generation to turn from rock music toward an acoustic sound, Case also helped usher in what became known as Americana music.

Case has released acclaimed albums, like The Man With The Blue Postmodern Fragmented Neo-Traditionalist Guitar, featuring Ry Cooder, Jim Keltner and David Hidalgo, his definitive folk blues collection Peter Case Sings Like Hell, the recently reissued and Grammy-nominated Let Us Now Praise Sleepy John (featuring Richard Thompson), and HWY 62 (with Ben Harper).

American Songwriter called HWY 62, “An absolute joy from start to finish. A beautifully conceived, executed and lovingly crafted chain of songs from Peter Case, a guy who has been crafting great songs for decades now…”

Since moving back to San Francisco, Case began attending the St. John Coltrane African Orthodox Church, dedicated to the music of Coltrane and racial, social, and economic justice.

“The hours spent playing there with the ensemble greatly increased my strength as a piano player,” he said.

“These times are more difficult than ever,” said Case. “I make music for the purpose of providing warmth and companionship in a difficult world.”

Tickets are $25 general admission. Children under 12 are free. Advance tickets are available here, or if the show is not sold out, you may purchase your tickets at the door before the show.

Doors open 30 minutes before show time. We accept cash or Venmo only at the door.

The Back Room is an all-ages, BYOB (for those 21+) space, dedicated to (mostly) acoustic music of all kinds. You are welcome to bring your own food and beverages. The venue is ADA accessible. If you need more information or have any questions, please call us: #510-381-1997.

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