Boors are worse than boring; they’re offensive and repulsive. To be a Boor is to be an obnoxious, unsophisticated oaf. But this Boor might have just met his match. A young widow sits alone in the drawing room of a country manor. Since her husband’s passing, she has been resigned to a small existence, with only the company of her more-than-slightly exasperated manservant. But life has a curve-ball lying in wait for her. The sudden appearance of a stranger, The Boor, jolts her out of her haze. He demands payment for a debt left by her husband, and refuses to leave until it is settled. The two engage in a tumultuous battle of wit and courage, culminating in an unlikely duel. Their passionate engagement ultimately sparks something new and… unexpected.

Dominick Argento’s comedic opera, The Boor, is based on the one act play by Anton Chekhov, “The Bear”. Dynamic and fast-moving, Argento’s score expertly reflects the character arcs and pace of the sharp comedy brought out in Jon Olon-Scrymgeours libretto. A compact, three-hander show that captures the hearts of audiences, this tale is a reminder to all that just when you think it’s all over, a new hope can suddenly change everything.

This production marks the premiere of “The Boor” in Australia, and features some of the most prominent emerging operatic talents of South East Queensland. Directed by Emma Nightingale, conducted by emerging talent Guillaume Lemay-Yates and accompanied by John Woods, this production is bursting at the seams with local talent.

What Audiences Had to Say

The Boor made its premiere in July, 2025 to packed audiences. Here’s what they had to say about their experience.

“It was a really fabulous showcase of some up and coming opera stars. Less serious than I expected and very entertaining. It made me want to see some more opera.”
“It was nice to see something different and new...and people burgeoning in their careers.
“So well done. The comedic timing of the actors was brilliant, the casting was so good for the roles. I loved it so much.”