The Friendship Quilt//Kaley Lane Eaton at Quilcene Lantern
Event description
The Quilcene Lantern is proud to present The Friendship Quilt and Kaley Lane Eaton!
Doors 7pm, Music 7:30pm
$10-20
All Ages
The Friendship Quilt
The Friendship Quilt is a Seattle-based trio of musicians Anna Preston, Kayce Guthmiller, and Marina DeMarco. Their sound draws on a range of traditions, including North-American fiddle and folk song, country, singer-songwriter, western classical, and improvisatory music.
https://thefriendshipquilt.ban...
Kaley Lane Eaton
A conservatory-trained soprano and pianist who fell into composing electronic music shortly after a stint playing Baroque lute, Seattle composer, singer-songwriter and producer Kaley Lane Eaton’s music is colored by this eclecticism. Her “disconcertingly lovely” (Seattle Weekly) compositions are “unconfined by genres and musical classifications” (V13 Media), combining folk roots with pristine chamber music and experimental noise.
Most recently, her work has been commissioned and performed by the Seattle Symphony Orchestra, Seattle Modern Orchestra, the Fresh Squeezed Opera Company (NYC), and Karin Stevens Dance, and has enjoyed support from such organizations as the Jack Straw Cultural Center, Seattle Office of Arts and Culture, the Allied Arts Foundation, the International Alliance for Women in Music, and 4Culture.
Her debut solo album cedar, an electro-chamber pop song cycle oriented in both art song and ambient IDM, came out in February 2022 on Bright Shiny Things. Cedar, both origin story and manifesto, captures a distinct Pacific Northwestern aesthetic: tuneful beauty, solitude, and destructive noise.
Her much anticipated follow-up record Lookout released March 15, 2024 on Strange Moon Records. Of Lookout, Seattle musician and writer Ian Shuler writes: “She shares space with other artists who dance between the natural and spiritual worlds: Sufjan Stevens, Weyes Blood, and Eaton’s most potent (but unstreamable) muse, Joanna Newsom. The classically trained harpist’s spirit rides throughout the album, from the galloping chorus of “Jeffrey Pine” to the Laurel Canyon lilt of “The End of the Line.” Like Newsom, Eaton still refuses to choose a lane. She composes with the full command of her four music degrees and classical training, but there’s an American-ness that can’t be shaken on Lookout. A sorrow, wildness, and expansiveness, not of the European classical tradition, but of jazz, blues and folk. Kaley Lane Eaton is all of these things and more. And none of them precisely.”
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