8th July

The Future of Live Performance in Australia

Name: The Future of Live Performance in Australia
Start: 2024-07-08T14:00:00+1000
End: 2024-07-08T15:30:00+1000
Location: Patrick Studios

Price $10 AUD + BF Get tickets

Event description

The Future of Live Performance in Australia

Featuring Caitlin Dullard (she/her, CEO/Director, La Mama), Cameron Lukey (he/him, Artistic Director, fortyfivedownstairs), Alexander Swords (they/them, NIDA, VCA, ACMI, Australian Writers' Guild)

Moderated by Kikki Temple (she/her)

In this panel, we will imagine the possible trends, challenges and opportunities we can expect from the coming months and years in the performing arts. Topics will include funding, audience demographics, pipelines for original Australian work, networking, changes in collaboration techniques, and more. We’ll also hear from the panellists about what they would like to see more of and how artists working in and creating independent theatre can have an impact on shaping the industry.

Presented as part of the Antipodes Winter Lab, an annual development retreat aimed at showcasing new work and fostering connections within the performing arts community.

Tickets for good, not greed Humanitix dedicates 100% of profits from booking fees to charity

Hostinformation

Antipodes Theatre Company

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Antipodes Theatre Company seeks to provide a collaborative and inclusive environment for producing independent theatre in Melbourne. Programming includes: full-length plays and musicals, cabarets, live events, year-round workshops for artists, and supporting new work and local writers through our Winter Lab, Ricochet Reading Series and ongoing development initiatives. Our aim is to produce challenging and enlightening work that embraces duality within the human condition. Work that looks at situations from a unique angle or exposes what it is like to step into someone else’s shoes. Antipodes was founded, in part, by New York City transplants who currently find themselves as close to the antipode of that location as they are ever likely to be. Finally, Antipodes strives to maintain an inclusive and safe work space through a minimum of 50% representation – on stage and off – by women, ethnically diverse artists, people with disability, trans or non-binary people, seniors, or other members of historically or culturally marginalised communities who are not well represented on stage.

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