Madison Cunningham: The Ace Tour madisoncunningham.com

Depending on the game, an Ace can be the highest or lowest card, zero or infinity. A breakup feels similar—one path crumbles, while all others remain infinitely possible. How do you write about heartbreak when you’re going through it? Ace, GRAMMY award-winner Madison Cunningham’s third record for Verve Forecast, tracks every part of it: falling out of love, having your heart broken, and then falling in love again. Co-produced by Cunningham and Robbie Lackritz (Feist, Rilo Kiley, Bahamas, Peach Pit), the fourteen-track album is honest and full of heart, even as it breaks.

Ace builds off of the success of Revealer (2022), a darkly funny portrait of an artist that won Cunningham her GRAMMY for “Best Folk Album,” but it is a different record. A slow burn until it wasn’t. It follows a period of writer's block. On Revealer and her debut album Who Are You Now (2019), Cunningham says that she was writing songs about heartbreak, but they weren’t about her heartbreak. They were sketches, observations. Cunningham wanted Ace to be emotions first. Heartbreaking and lush and bold.

Cunningham’s first single from Ace, “My Full Name,” was released to praise by PASTE who calls the lyrics, “simultaneously sprawling and intimate,” recalling “an ancient work of poetry.” On Ace, which Cunningham serves as co-producer, she wanted piano to move into the foreground. “I wanted it to feel like a mountain peak,” says Cunningham, “I wanted Ace to feel like a mountain we built together.” Ace is a record that feels alive and lush in all the ways Cunningham hoped for when she started writing. It is a record of mastery and honesty. Cunningham loves every single song on it. You can tell.

Ken Pomeroy: kenpomeroymusic.com

@ St Mark's Cathedral, Seattle

6:30p doors, 7:30p show

All ages, mostly seated main floor & balcony, some standing room in back

Bar w/ ID. Profits to local music & non-profits (thanks to the generosity of our local sponsors)

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CATHEDRALS CONCERTS SERIES

PRESENTED BY ABBEY ARTS, SEATTLE

An open floor concert experience, quiet picnics welcome, no outside alcohol allowed. Seating available including chairs, benches, and some floor space around the stage area.

We recommend bringing cushions and even blankets if you'd like. Audience can sit or lay down anywhere around the stage as space allows (floor space is not reserved).

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EVENT & VENUE INFO:

St Mark's is ADA Accessible. Wheelchair seating area is to the left of stage near the front.(Email boxoffice@fremontabbey.org with questions)
Service animals as defined by the ADA are allowed. Service animals are defined as dogs that are individually trained to do work or perform tasks for people with disabilities.
We are an all ages venue. Kids 10 & under are free at most Abbey Arts events.
St. Mark's has a pay-to-park lot. More parking information is available here.

SEATING:

Open seating except reserved front rows chairs & benches.
To create a "giant living room" effect we offer an unusual concert experience with informal seating on the floor up front surrounding the stage and lots of pews, benches, and chairs around the space.
We highly recommend you bring blankets and cushions to create a more comfortable experience whether sitting on the floor or seats. Quiet and non-messy snacks/picnics are allowed. No outside alcohol please.
For best sound, arrive early for center floor area and any area on stage not marked with signage. You can also sit all around the back of the stage if you like but sound will be a bit limited there.

QUIET POLICY:

Please refrain from talking or texting during the show
Please silence all devices. Turn off vibrate, rings, etc. If you need your phone on vibrate for specific reasons, please keep it close to you and not on a hard surface that will distract your neighbor.
If arriving late, please be advised that ushers may hold doors during each song due to acoustics of the space.
Please refrain from talking during the show.
Please enter quietly if the show has already begun.

NO CAMERAS WITH MECHANICAL SHUTTERS (This goes for Press too unless approved to photograph during applause only.) That means silent digital cameras/photos are ok but we really recommend you enjoy most of the show through your own 'retina screens'.
You probably get the idea, this isn't a loud party venue. :-)
Anyone exhibiting loud or disruptive behavior during the event will be asked to leave.

**We are unable to provide a separate soundproof room for viewing this event. These shows are very very pin drop quiet so please consider that when deciding what ages are appropriate. No cry room available at this venue and even voices in the lobby will be heard in the concert space.

SOCIALS:

Use #seattlecathedrals and tag @abbeyarts on Instagram or Facebook, @fremontabbey on Twitter