KATHLEEN EDWARDS: www.kathleenedwards.com

"For decades, Kathleen Edwards has been a cornerstone of North American roots music.

Since making her debut with 2002’s Failer, she’s spent the 21st century occupying the grey area between genres, swirling together her own mix of alt-country, folk, and heartland rock & roll. It’s a sound that has earned its creator more a half-dozen Juno nominations, as well as Top 40 success on both sides of the Canadian/American border. Now in her third decade as an artist, Kathleen Edwards has done more than carry the torch of songwriting heroes like Tom Petty, Neil Young, and Lucinda Williams — she’s opened the door for others, too, inspiring a new generation of artists who, like her, blur the boundaries between genre and generation.

A native of Ottawa, Ontario, Edwards was still in her early 20s when she released the critically-acclaimed Failer. The album’s warm, woozy sound — crystallized on radio hits like “Six O’Clock News” — quickly turned her into one of the era’s alt-country heroes. From the very start, though, Edwards’ music seemed to exist somewhere out of time, resisting categorization even as Failer received a Juno nomination for “Roots & Traditional Album of the Year.”

“No one knew what to call my type of music back then,” she says of those early years. “The Americana genre didn’t exist yet, so they couldn’t categorize me. I just made the kind of music I wanted to make.”

Edwards continued blazing her own trail with follow-up albums like Back to Me and Asking for Flowers. By the time Voyageur arrived in 2012, Americana very much did exist as a genre, and Edwards found herself riding a newfound commercial peak. The album reached Number 2 on the Canadian Albums Chart and Number 3 on Billboard’s Folk Albums chart. Even so, a busy decade on the road had left her exhausted. After touring in support of Voyageur’s release, Edwards left the music business altogether and moved to suburban Ontario, where she opened a coffee shop called — defiantly — “Quitters.”

“Before I turned 30, I toured the world and put our nearly four records, performed on TV, and had an incredible run,” she says of her first 10 years in the spotlight. “What’s interesting is that I walked away from all of it, too — and when I came back, I felt better than the person who put out Failer.”

By the late 2010s, Edwards felt recharged and revitalized. When a phone call arrived from Maren Morris, who was looking for songwriting partners for a new project, Edwards jumped at the chance to collaborate. The two musicians co-wrote “Good Woman,” which appeared on Morris’ Grammy-nominated album Girl in 2019. Back home in Canada, Edwards continued to write new material, eventually partnering with producer Ian Fitchuk for the album Total Freedom. Released in 2020, the album expanded her sound and her audience, boosted by two hit songs — “Options Open” and “Hard on Everyone” — that both reached the Top 30 on the Triple A chart in America. Total Freedom didn’t just mark her return to the music industry. It was a rebirth, too.

What’s next? New music, of course. Edwards remains a fan of “ripping guitar riffs and good songs,” and she’s combining both into a follow-up album that showcases her legacy as well as her evolution. She maintains a presence on the road, too, playing her own gigs one minute and sharing shows with her heroes — including Willie Nelson, John Fogerty, and Bob Dylan — the next.

“The amount of things I’ve gone through might make someone else quit…but quitting doesn’t quite do it for me,” she says. “I can’t help but want to write great songs, connect with people, and see what’s ahead. I don’t love looking behind, even though it’s one of the ways we can see what we’ve done, so I’m looking forward.” - Artist Bio

KEN YATES: www.kenyates.com

"Ontario-born indie-folk artist Ken Yates has a penchant for saying what the rest of us are thinking. Cerulean, his latest album, finds Yates at his darkest and most vulnerable - "the worst pain comes with no bleeding" he writes - as he explores the complicated reality of navigating the world through half-clenched teeth. Yates' "earworms of sadness" have gained him a new legion of fans, who, drawn to his "stunning candidness and relatability" (No Depression), have shared numerous fan covers on social media and helped spur a dedicated surge of audience growth. The new album found great success at streaming, where songs were shared on playlists including "Your Favorite Coffeehouse," "Infinite Indie-Folk", "Fresh Folk," and more. Guest vocalists Kathleen Edwards, Katie Pruitt and Stephanie Lambring lent their talents to the new songs, produced by Ottawa's Jim Bryson. With praise in FLOOD, Atwood Magazine, NPR Music Live Sessions, and two Canadian Folk Music Awards under his belt, Yates has expanded his touring in recent years, supporting acclaimed artists including Passenger, Kathleen Edwards, and Stu Larsen, as he brings his "lyrical vessel of yearning and emotional reckoning" (FLOOD) on the road." -Artist Bio

@ Ballard Homestead

7p doors, 7:30p show

All ages, mostly seated

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EVENT & VENUE INFO:

Ballard Homestead is partially ADA accessible. Please email boxoffice@fremontabbey.org with questions and for accommodations. ballardhomestead.org/about
Service animals as defined by the ADA are allowed. Service animals are defined as dogs that are individually trained to do work or perform tasks for people with disabilities.
Please limit photos during the show so as to not distract other attendees from the experience.
Please enter quietly if the show has already begun.
Please leave quietly, it's a very quiet neighborhood.
Quiet Picnics Welcome. ie. please no crunchy packaging or loud chips, smelly foods, etc. We sometimes have a few tables out, or you can use the side yard if weather is nice.
Light snacks & non-alcoholic beverages may be available for purchase, but no other food or bar service at Ballard Homestead shows.
We have a mix of padded chairs, benches, and a little standing room in back for big shows.
We are an all ages venue. Kids 10 & under are free at Abbey Arts concerts & arts events unless noted. Please request by emailing boxoffice@fremontabbey.org
Entering the venue indicates agreement to adhere to the Abbey Respect Policy. All are welcome. fremontabbey.org/respect