Bach Reflections (Saturday)

The music of J.S. Bach engages both the mind and the heart. His compositions are renowned for their intellectual rigor and emotional depth. This concert offers an opportunity to experience the full range of Bach's artistry, from the structural brilliance of the Goldberg Variations to the expressive beauty of the Fourth Cello Suite and the inventive homage by Corigliano. Presenting both his original works and a modern reflection on his style, the program illustrates how Bach's influence has permeated music history and continues to inspire new generations of composers and performers.

The Program

Corigliano: Fancy on a Bach Air

• Corigliano, a Pulitzer Prize-winning composer, crafts a piece that captures the essence of Bach while adding his own unique voice. This work is a fascinating exploration of how Bach's music continues to inspire and evolve in the hands of contemporary composers.

Bach: Suite for Solo Cello in E-flat Major, BWV 1010

• This suite's rich harmonies, intricate counterpoint, and expressive depth showcase Bach's unparalleled skill in writing for the cello.

Bach/Sitkovetsky: Goldberg Variations

• The Goldberg Variations are one of Bach's most celebrated works, originally composed for keyboard. This transcription for string trio offers a fresh take on this monumental piece, highlighting the intricate interplay between the instruments and bringing out new textures and colors. The string trio format provides a unique listening experience, allowing you to hear Bach's genius in a new light.

The Performers

MATTHEW ZERWECK

Matthew Zerweck (matthewzerweck.com) began his music studies at age 5, after watching Itzhak Perlman perform on the children’s television show, “Sesame Street.” After studying with several esteemed artist teachers, he entered the Eastman School of Music. He earned degrees from the Eastman School of Music (BM, MM), where he served as teaching assistant to the world renowned violinist and teacher, Charles Castleman.

Formerly the Assistant Concertmaster of the San Antonio Symphony (2008-2012), Matthew teaches violin full time in San Antonio.  His students have played as soloists with the San Antonio Symphony, San Antonio Sinfonietta, and Starlight Symphony Orchestra.  His students occasionally pursue music degrees at competitive colleges and conservatories. 
 
An active performer, Matthew leads the San Antonio Sinfonietta as concertmaster. He’s also performed major concertos with the UIW Orchestra and Youth Orchestras of San Antonio. In 2015, he recorded the lead violin parts for “Upon the Awful Tree,” an independent film with an original score by Matt Dunne. In his free time, Matthew enjoys spending time with his wife, Nancy, his son, Charlie, and five cats.

EMILY WATKINS FREUDIGMAN

Emily Freudigman is Co-Founder of Camerata San Antonio. Emily holds degrees in viola performance from Southern Methodist University, the Peabody Conservatory, and the University of Michigan and has been a Fellow at the Tanglewood Music Center and the Aspen Music Festival and School. She has studied chamber music with members of the Juilliard, Muir, Concord and Tokyo String Quartets, and she has performed with the Grand Rapids, Maryland, Fort Worth and Boston Symphony Orchestras. Emily was the Assistant Principal Viola of the San Antonio Symphony from 2002 to 2019. She maintains an active viola studio in San Antonio – her students perform in the Texas All-State orchestras, attend prestigious summer music camps, including the Eastern and Killington Music Festivals and Interlochen Center for the Arts and have gone on to study at the Cleveland Institute of Music and Peabody Conservatory of Music.

KENNETH FREUDIGMAN

Kenneth Freudigman is Co-Founder and Artistic Director of Camerata San Antonio. Ken was Principal Cello of the San Antonio Symphony from 2004 to 2022 and continues in the role with the new San Antonio Philharmonic. A highly-respected cello pedagogue, Ken also serves as Conductor of YOSA’s Symphony and Concertino Orchestras.

Mr. Freudigman began playing the violin at age six and found his true love, the cello, at the age of nine. After six years of study, he was accepted to attend the prestigious Interlochen Center for the Arts. Upon graduating with honors in music performance, he went on to receive a Bachelor of Music from the Eastman School of Music. He began his orchestral and chamber music career while at Eastman, winning a position with the Rochester Philharmonic and was also a founding member of the Esterhazy Chamber Ensemble. In 1992, Mr. Freudigman joined the New World Symphony, an advanced training orchestra for recent graduates of music schools, under the direction of Michael Tilson Thomas. He has also performed with the Atlanta, Utah, Grand Rapids, Charleston, and Virginia Symphony Orchestras, as well as the Sarasota Opera and the Mexico City Philharmonic. Mr. Freudigman was also a founding member of the American Sinfonietta. 

His orchestra and chamber music engagements have taken him to the major concert halls of Europe, the Middle East, and throughout South and North America. Mr. Freudigman has performed chamber music with members of the Amadeus and Cleveland Quartets and with the pianist Jean-Yves Thibaudet. He has been a featured soloist with the World Youth and New World Symphony Orchestras, the San Antonio Symphony and the Mexico City Philharmonic, where he was engaged to perform Shostakovich’s First Cello Concerto. Mr. Freudigman can be heard in recordings on the Argo and Summit record labels, featured with Renee Fleming and the New World Symphony Orchestra performing Bachianas Brasileiras by Heitor Villa-Lobos on BMG Classics, and on Camerata San Antonio’s Grammy-nominated premiere CD, Salon Buenos Aires: Music of Miguel Del Aguila.