About Blitzen Trapper

Launched roughly two decades ago in Portland, OR, Blitzen Trapper garnered early attention with a series of self-released albums before breaking out internationally with a pair of critically acclaimed LPs (2007’s Wild Mountain Nation and 2008’s Furr) that would cement their status at the forefront of the modern indie folk revival.

Supporting Artist – Louisa Stancioff

“There are times in life when you’re so present, so fully immersed in the moment that you can catch a glimpse of another universe, of a realm beyond our own,” says Louisa Stancioff. “It might last for a second or an hour, it might come in the midst of bliss or sadness, you might be alone or with a lover, but when it happens, there’s nothing quite like it.”

When We Were Looking, Stancioff’s stunning debut, is full of those moments. Written and recorded through a transitional, transient period filled with heartbreak and uncertainty, the collection is raw and unflinching, holding nothing back in its bittersweet reckonings with pain, healing, acceptance, and growth. Stancioff writes with a cinematic eye, conjuring up richly detailed stagings for her emotionally charged character studies sung with a silvery resonance. The songs’ guitar-and-synth-focused arrangements are immersive and nuanced to match, thanks in part to the evocative sonic landscaping of producer/keyboardist Sam Kassirer (Josh Ritter, Craig Finn), who proves to be an ideal creative foil on the record. Add it all up and you’ve got a dreamy, nostalgic, snapshot-filled album that blurs the lines between indie stoicism and folk sincerity–a lush, cathartic work that hints at everything from Phoebe Bridgers and Arlo Parks to Big Thief and Waxahatchee as it learns to find the beauty in grief and rebirth.