Cenicienta: A Bilingual Cinderella Story
Event description
*Pueden encontrar la versión en español abajo.*
This one-time-only performance is the despedida (going-away party) and bon voyage for the debut of Mariah Fonseca as Belinda. From West Palm Beach, Florida to Kalamazoo, Michigan, this award-winning show will be touring the country in Spring 2024.
Ten-year-old Belinda loves to tell stories, but when she’s in the basement preparing for a party upstairs, she’ll have to get creative. Using everyday objects like teapots and napkins, Belinda recreates the classic tale of Cinderella. Glass Half Full Theatre from Austin, Texas, presents its award-winning “story within a story” using puppetry, Spanish, and English. As Belinda confronts her stepmother and stepsisters, she’ll learn to embrace her love of poetry and stand up for herself. This captivating Cinderella for all ages tackles cultural heritage, family, and the power of language. Most enjoyed by 5+
Show History & Credits:
Cenicienta was originally created and presented at Zach Theatre in collaboration with Teatro Vivo and Glass Half Full Theatre. The role of Belinda was originated by Gricelda Silva.
Written by Caroline Reck and Rupert Reyes, with Gricelda Silva
Original musical composition by Ammon Taylor, featuring Ilia de la Rosa (cello) and Andrew Schindler (guitar). Also featuring original music by Francisco Villamizar (guitar), Paul Piñon (percussion), and Greg Goodman (bass).
Directed by Caroline Reck
Costume Design by Alana Anthony
Lighting Design by Rachel Atkinson
Sound Design by Pete Martinez with additional sound and mixing by K. Eliot Haynes
Prop & Puppet Design by Caroline Reck
Stage Management by Zac Crofford
Promotional Photography by Wylie Maercklein
The role of Belinda is performed by Mariah Foncesa.
Offstage voice are performed by:
Gary Soto: Rupert Reyes
Stepmother: Caroline Reck
Reina: Lilli Lopez
Preciosa: Marina DeYoe-Pedraza
Press quotes:
* “With its playful puppetry and poetic spark, Cenicienta is a perfect play. ” “This story of Cenicienta isn't like the others, and that is what makes it charming.” “It's fun (and refreshing in this age of technology) to watch Belinda embrace her creativity without the use of screens.”
Broadway World: https://www.broadwayworld.com/washington-dc/article/BWW-Review-Cenicienta-A-Bilingual-Cinderella-Story-at-the-Kennedy-Center-20210314
* "If you've ever had the fleeting wish that Disney's Cinderella wasn't so dated and unreal, here's your remedy."
CTX LIVE: https://ctxlivetheatre.com/reviews/review-cenicienta-at-zach-theatre/
* “Students were fully engaged with Cenicienta throughout, even if they didn’t understand one of the languages being spoken. Such moments emphasize the importance of Latinx youth seeing and hearing actors who look and sound like them on stage—such representation is necessary in fostering youth’s connection with theatre.”
Howl Round Theatre Commons: https://howlround.com/learning-and-listening-latinx-youth-2019-ltc-tya-sin-fronteras-festival-and-convening
* “The wonder of “Cenicienta” is the ability of its audiences to identify with Belinda. It embraces her creativity and her love of reading. It revels in the joy of playing with found objects and creating a story. It teaches lessons in the importance of reading and writing and the importance of being courageous and standing up for yourself as well as loving who you are, but it doesn’t hit kids over the head with those lessons.”
The Statesman: https://www.statesman.com/news/20161012/review-zach-theatres-bilingual-cinderella-cenicienta
* “Belinda . . . speaks both English and Spanish throughout the play, intertwining both languages together in a way that is easy to understand . . .”
DO512 FAMILY
* EN ESPAÑOL*
A Belinda, una niña de diez años, le encanta contar historias, pero cuando se encuentra en el sótano preparando todo para una fiesta que se supone está organizando su madrastra en el piso de arriba, tendrá que ser creativa. Utilizando objetos cotidianos como teteras y servilletas, Belinda recrea el cuento clásico de Cenicienta. Glass Half Full Theatre de Austin, Texas, presenta su premiada “historia dentro de una historia” en español e inglés utilizando títeres y solamente una actriz. Mientras Belinda se enfrenta a su madrastra y a sus hermanastras, aprenderá a abrazar su amor por la poesía y a defenderse. Esta cautivadora versión de Cenicienta para todas las edades contiene temas como la herencia cultural, la familia y el poder del lenguaje. Más disfrutado por edades 5+
Historia del Espectáculo y Créditos:
Cenicienta fue creada y presentada originalmente en Zach Theatre en colaboración con Teatro Vivo y Glass Half Full Theatre. El papel de Belinda fue originado por Gricelda Silva.
Escrito por Caroline Reck y Rupert Reyes, con Gricelda Silva
Composición musical original de Ammon Taylor, con Ilia de la Rosa (violonchelo) y Andrew Schindler (guitarra). También incluye música original de Francisco Villamizar (guitarra), Paul Piñon (percusión) y Greg Goodman (bajo).
Dirigida por Caroline Reck
Diseño de vestuario por Alana Anthony
Diseño de iluminación por Rachel Atkinson
Diseño de sonido de Pete Martinez con sonido adicional y mezcla de K. Eliot Haynes
Diseño de utilerías y títeres por Caroline Reck
Dirección de escena de Zac Crofford
Fotografía promocional de Wylie Maercklein
El papel de Belinda lo desempeña Mariah Foncesa
Voces fuera del escenario:
Gary Soto: Rupert Reyes
Madrastra: Caroline Reck
Reina: Lilli López
Preciosa: Marina DeYoe-Pedraza
Las Reseñas de la Prensa:
Broadway World: https://www.broadwayworld.com/washington-dc/article/BWW-Review-Cenicienta-A-Bilingual-Cinderella-Story-at-the-Kennedy-Center-20210314
CTX LIVE: https://ctxlivetheatre.com/reviews/review-cenicienta-at-zach-theatre/
Howl Round Theatre Commons: https://howlround.com/learning-and-listening-latinx-youth-2019-ltc-tya-sin-fronteras-festival-and-convening
The Statesman: https://www.statesman.com/news/20161012/review-zach-theatres-bilingual-cinderella-cenicienta
DO512 FAMILY: “Belinda. . Habla inglés y español durante toda la obra, entrelazando ambos idiomas de una manera fácil de entender. .”
***PARKING IS LIMITED AT THE DOUGHERTY ARTS CENTER. BUTLER PARK PLAYGROUND ON A SATURDAY AFTERNOON MIGHT ALSO CAUSE SOME PARKING ISSUES. PLEASE PLAN TO ARRIVE EARLY/ACCORDINGLY!***