PRESENTED BY NIGHTINGALE CONCERTS - JOIN US FOR AN EVENING OF LIVE MUSIC AT IT'S FINEST!

The young virtuoso recently described as “the finest guitar player of this generation” has spent the past few years selling out shows all over the globe and will be bringing his dynamite live act back to New Zealand in 2025 for a series of intimate regional concerts!

- Seated show

- Family friendly

- Cheaper $15 tickets for under 18s because live music is for everyone!

- BYO (non alcoholic) drinks and nibbles

October 8, 2025 @ Buckland and Eastern Beaches Memorial Hall

Doors open from 6:30pm / show starts at 7:00pm (8:20pm finish)

Tickets are VERY limited. DON'T miss out!

WHAT THE PRESS SAY..

“The word Prodigy seems to entirely fall short of this soft-spoken young man’s skills, he coaxes sounds and melodies out of his instrument that literally drop jaws.”
The Calgary Herald, CANADA

“Today I saw the future of Folk – Festival goers flocking in the thousands towards the main stage to witness a young musical phenomenon from Australia dish out an absolute show-stopper.” The Firefly Column, USA

“Daniel Champagne is a crossroads. Fusing the strong traditions of Blues, Folk and other roots art with pop showmanship and admirable lyrical ability. I firmly believe that he will become an ambassador for roots music in a time where it desperately needs representation.” The Indie Blender, CANADA

“reinventing roots guitar” Rhythms Magazine, AUSTRALIA“Watching Daniel Champagne perform is a once in a lifetime experience. He is a true prodigy that plays like no one else could possibly play unless they spent at least two lifetimes studying the art.” BW Review, NEW ZEALAND

“Daniel Champagne exudes a natural ease on stage, as he sings poignant lyrics and beautifully crafted melodies that invariably whisk the heart up with grand romanticism. Coupled with an exhilarating guitar talent that transcends mere acoustic playing to replicate a whole band, Champagne is just magical” Themusic.com.au, AUSTRALIA

"You feel as if he just invented the instrument yesterday and was discovering its possibilities afresh” Ted Gioia (American jazz critic and music historian)