A solo cello recital meets a clown show.

In a classical cello recital meets performance art clown show, Karen Hall skilfully walks the line between artistry and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos as she tackles identity, expectations, and success through the eyes of a fool.

Duration: 50 minutes approximately with no interval
Audience suitability: adults and kids welcome

Presented as part of the Mill Theatre Co-Production Series, a program which provides an avenue for creatives to present their own work in the Mill Theatre space.

Awards and Accolades

★★★★ - Everything Theatre, UK, Stirr Vancouver #5 Top Ten Festival Picks at Vancouver Fringe 2022, Winner of the “Tour Ready Cultural Ambassador Award” from San Diego Fringe for a fully funded run at the Sydney Fringe Festival.

About Karen Hall

Karen boasts a diverse resume having graced the stages of Carnegie Hall and the Hollywood Bowl to behind the scenes work in studio sessions for everything from indie singer/songwriter albums to work on soundtracks for Emmy-nominated shows. Karen most visibly spent four seasons on camera as the Cellist on the TV show, Glee, and performs regularly with various symphony orchestras throughout the Los
Angeles area. She has worked with notable artists such as Shawn Mendes, Geoff Emerick, and Yoshiki. When she’s not being a serious classical musician, Karen can be found performing regularly with the clown troupe, “The Nonsemble”, or touring her solo show, “Delusions and Grandeur”. Karen is a sought after music educator currently working as the String Program Director at the Pasadena Waldorf School and a Teaching Artist in Residency for The Music Center in Los Angeles.

CREATIVES & COMPANY

Created and performed by Karen Hall

Stage Manager and Operator: Ezekiel Chalmers

Co-Produced by Lexi Sekuless Productions

Major partner: Elite Event Technology

Principal Sponsor: Willard Public Affairs

TICKETS

General admission tickets are $35 inclusive of GST but exclusive of Humanitix booking fees.

Concession tickets for Full-Time Students, Health Care or Pension Card holders are $30 inclusive of GST but exclusive of Humanitix booking fees.

Tickets are fully transferable up to one day before the event only. No refunds are available.

Tickets are for entry only and are available online until one hour before the show. From that point, box office tickets in person are available for purchase.

The information below goes into a lot of detail but if you have further questions, please email us at hello@milltheatreatdairyroad.com. A small team can see that inbox and we respond very quickly. The Mill is a very quirky space and we want to welcome you!

SEATING & ACCESS

All tickets are general admission and no seats are reserved so the earlier you arrive, the better position you will have. If you have any access needs and require reserved seating you must email us before the show please hello@milltheatreatdairyroad.com
Seating is in an L-shape to create a dynamic and intimate playing space.
The venue is fully accessible for wheelchairs with a ramp from the P3 parking spot and same level access from entry into building 3.3 into the theatre all the way to the accessible seating positions inside the Mill. We have two wheelchair seating positions both with very different views. Please contact us at hello@milltheatreatdairyroad.com so we can talk through the options, including adding companion card tickets. One option is on the short side, the other option is on the long side. All accessible bookings will be reserved.
Every seat in the house has a great view, and a different view. Patrons walk through the set to find your seats, adding to the intimacy of the space. This means, late arrivals or patrons who leave the theatre before intermission or the end will NOT BE ADMITTED TO THE THEATRE

ARRIVAL & PROTOCOLS

ENTERING

Please head to the Box Office on arrival. You really must do this please. If you have already purchased a ticket, the Front of House team checks off the name of every booked attendee. Please do not try to walk directly into the theatre.
If you haven’t purchased a ticket, you can get one onsite an hour before show time. However, it is a very small theatre and we have started selling out and we do not hold any seats.
The doors open approximately 15 minutes before show time. The Front of House team will let you know when you can enter.

LOCK OUT

Due to the unique layout of the venue, the audience walks through the stage to take their seats. This means we cannot accommodate anyone slipping in late for the beginning of the show or for the return after intermission.
The Front of House team rings a bell and counts the audience to ensure you won’t miss out but please don’t tempt fate otherwise you will be locked out and we cannot let you in. We even call any audience who might be running late to make sure you won’t miss the show!

LOCATION

The Mill Theatre is in Building 3.3, the Screencraft and KeepCo building which is a short walk from Capital Brewing. There are two easy ways to approach the Theatre:

PARK in P3 at the back of the precinct. From there you will see building 3.3 which has a large Screencraft sign. The public entrance is just up from that sign (not underneath it!). Once inside, walk about 5 metres and the theatre is to the right, next to Mojo Guitars.

WALK from Capital Brewing or the Less sculpture into the KeepCo building, pass Ramen Daddy and at the end of the corridor we are on the left.

PARKING

All parking in the precinct is free with several accessible parking spots in all the parking locations. The best spot to park is P3 at the back of the precinct. If you park elsewhere please be warned that signage and way-finding around the precinct is extremely difficult. Arrive in plenty of time to possibly get lost, possibly be in a bad mood, and remedy that with a drink at our bar before enjoying a smashing show!