This performance contains strobe lighting, smoke, and loud sound with low-frequency vibration. These occur in short sequences at different times during the performance. Please plan accordingly.

September 25-26, 2026

DADS is Drama Tops' newest queer tragedy — a holesome, sci-fi dreamscape about fatherhood, grief, and what it means to make the world better when you're not sure you can.

Elby Brosch and Shane Donohue dive headfirst into the chaotic waters of loss and masculinity, mixing improvisation, athletic partnering, and sheer physical exhaustion to crack open the deepest parts of their queer grief. Part existential odyssey, part club night.

The show's velcro costumes, inflatable sculptures, and stage-sized set are designed to literally stick to and weigh down the performers — until a giant inflatable engulfs the stage entirely. A new world is created: organic, chaotic, beautiful.

Drama Tops blends nightlife and concert modern dance into something funny, rigorous, and hard to shake. DADS is their most ambitious work yet.

Red Eye is glad to be that room. Shane grew up in WI and the Twin Cities was a formative part of his art life. Shane also is in Red Eye’s professional network as he runs Velocity - Seattle’s center dedicated to contemporary dance.

https://dramatops.com/

Red Eye presents KIN Artists Partnerships, a four part series of artists that pass through Red Eye with one animating principle: relationship. Enduring relationship.

Red Eye is part of a national network of artistic inquiry — and KIN is a significant step toward showing up to that conversation with intention and honesty. KIN is a response to the shifting needs of commissioned work, an experiment in interrupting the transactional way we value artistry.

Every artist that is a part of KIN brings something different — different resources, histories, forms of capital. Every artist has a relationship to real people, to Red Eye, Minneapolis, to the Twin Cities, to people and practices and communities that make this ecosystem what it is.

If KIN is about relationships– relationships to people and places - KIN is also about relationships to commissioning models, and artistic inquiry as transcontinental experimentation. KIN artists are sifting through the tethered immediacy of today. KIN is about queer tragedy, reflection, bending autobiography, and grief. KIN is about what is summoned through difficulty, what we owe ourselves, and what happens after collective life changing conditions. KIN is the most hopeful survival strategy we can muster: make it up again and again. Believe in body, dancing and each other.

Accessibility

Red Eye’s space is fully wheelchair-accessible. Masks are highly encouraged. Some events require masking and masks will be available at the venue if you don't bring your own. Please only attend if you are feeling well, and if not, we are happy to change your tickets to a different day at no charge.

Photo by Salt Photo

Contact the host of Drama Tops | DADS

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