Frutos de la Muerte
Description
A young Guatemalan woman, Ixq'anil, and her aunt Adela turn to fungi, science, and indigenous wisdom for guidance amid political turmoil in the US and Guatemala. Spectral figures emerge from the shadowy edges of their memories, brought to life by a skillful chorus of movement and puppetry artists.
Frutos de la Muerte takes an unconventional approach to finding a way through the darkness when we are feeling lost — drawing on mycology, curanderismo, and the quiet intelligence of things that grow in the dark.
This version builds on the company's work-in-progress showing at CRASHBOX, which delighted audiences for its fresh approach to a complex subject, its representations of Guatemalan culture, the cast's performances, and its luscious, mysterious designs.
The play is performed in a mix of languages, but we have taken great care that you will understand it if you only speak English.
About the work
To develop Frutos de la Muerte, the team worked with mycologist Jesús Garcia and accessed resources from the Benson Latin American Collection at UT Austin. That research was complemented by the company's devising approach — drawing from the Lecoq tradition — that emphasizes personal connection to the material.
Frutos builds on the success of acclaimed Glass Half Full shows, including The Orchid Flotilla, the multiple award-winning Yamel Cucuy, and the clever bilingual satire Don Quixote de La ReDo.
The team
Devised by the cast and creative team of Glass Half Full Theatre
Performances by Gricelda Silva, Isis Jasen Silva, Caroline Reck, Antonio Medrano, and Diana Guizado
Directed by Khristián Méndez Aguirre
Story runner, Movement Direction, Puppet Direction, and Fabrication by Caroline Reck
Assistant Direction by Ariane Stier
Fungal Dramaturgy by Jesus Garcia
Cultural Dramaturgy by Khristián Méndez Aguirre
Co-Scenic Design and Co-Costume Design by Delena Bradley
Assoc. Scenic Design & Technical Direction by Joshua Martin
Scenic Painting by CB Feller and Mia Ramirez
Assoc. Costume Design (Fungal Chorus) & Fabrication (Fungal Chorus and Props) by Kade Conklin
Puppet Costumes by Caroline Reck
Sound Design & Video Integration by K. Eliot Haynes
with Original Music by Chris Owen
Lighting Design & Head Electrician by Gavin Kenter
Stage Management by Karla Zodapop
Asst. Stage Management by Rose Gonzales
2nd Ass.t Stage Management by Kuni Ohama
Graphic Design by Khristián Méndez Aguirre
Press Relations by Motley Crew Media
Photography by Minerva Villa
This work is supported in part by
City of Austin Cultural Arts Division
New England Foundation for the Arts
The Creative Fund
Texas Commission on the Arts
The Paramount and State Theaters
Tercera Llamada
Tickets for good, not greed Humanitix dedicates 100% of profits from booking fees to charity



