Works of exquisite beauty and mystery by Errollyn Wallen, Joaquin Turína, and Gabriel Fauré for soprano and chamber ensemble.

Errollyn Wallen: Are You Worried About the Rising Cost of Funerals?
Joaquin Turína: Las Musas de Andalucia
Gabriel Fauré: La Bonne Chanson

Sarah Davis, soprano; Matthew Zerweck & Laura Scalzo, violins; Emily Freudigman, viola; Ken Freudigman, cello; Kristin Roach, piano

This event is made possible in part by an Events Grant from the City of San Antonio Department of Arts and Culture.

About the Musicians:

SARAH DAVIS

Hailed by the New York Times as “a voice with considerable warmth,” lyric-soprano Sarah Davis has been recognized as a gifted performer both on the recital and operatic stage. She has premiered works by American composers: John Harbison, Barbara White, Eliza Brown, Eric Nathan, and Elliott Carter at Tanglewood Music Center, SongFest, Radio France, and Network for New Music. In the month prior to the pandemic taking hold, Ms. Davis performed a glorious Liederabend at Schwartzsche Villa in Berlin, Germany, singing Canteloube, Rachmaninov, Sibelius and Berg’s Sieben Frühe Lieder with pianist Chris Cartner. Notable concert & operatic roles credits include: Verdi Requiem, Mahler Symphony No. 2, Brahms Requiem, Beethoven Missa Solemnis and Ninth Symphony, Mimi in La Boheme, Antonia, Fiordiligi, Pamina, Cendrillon, Susannah (Floyd), Anne Trulove, as well as Krystyna Zyvulska from Heggie’s Another Sunrise. Sarah holds degrees from Trinity University and the Peabody Conservatory of the Johns Hopkins University. She currently resides in Comfort, Texas.

KRISTIN ROACH

Kristin Roach is a Grammy-nominated pianist and opera conductor with 37 new operas and 24 world premieres under her baton.

She is committed to the ongoing evolution of opera in the 21st century by leading newly composed works, championing underrepresented artists and creators, and training the next generation of performers.

Upcoming conducting engagements include the world premiere of Alice: An Operatic Wonderland by Amy Scurria at Red River Lyric Opera. Recently conducting engagements include Thumbprint for Chautauqua Opera Company, Two Remain for Lyric Opera Orange County, and Tosca for Texas Concert Opera Collective. Ms. Roach serves as Assistant Professor of Music at Lawrence University, where she is opera conductor and vocal coach. Previous positions include Founding Music Director of Alamo City Opera, where she conducted seventeen productions including many South Texas premieres, and Music Director of Spotlight on Opera.

Ms. Roach has prepared productions for the San Francisco Opera, San Diego Opera, Tulsa Opera, Utah Opera, Opera San Antonio and many others.

LAURA SCALZO

Originally from Long Island, New York, Laura Scalzo’s love of the violin was sparked by the great violinist, Itzhak Perlman, when she heard him play on “Sesame Street.” She began lessons at the age of 4 and has been playing ever since. She holds degrees from Temple University (BA) and the University of Delaware (MM). Her primary teachers have included William dePasquale, Xiang Gao, and Ellen dePasquale.

Ms. Scalzo joined the first violin section of the San Antonio Symphony in 2011. Ms. Scalzo is also the Assistant Concertmaster of the Mid-Texas Symphony. Before moving to San Antonio, she was a tenured member of the Delaware and Allentown Symphonies.

As a passionate chamber music lover, Ms. Scalzo has performed with various ensembles in San Antonio, New York, Pennsylvania, and Delaware. She is currently a member of the Mid-Texas Chamber Players.

In addition to performing, Ms. Scalzo is an enthusiastic teacher and has maintained a private studio of all levels since 2000. At the University of Delaware, she was Xiang Gao’s teaching assistant and taught the undergraduate non-music majors. She was a professor of violin at Texas Lutheran University from 2013-2015.

Ms. Scalzo has many interests outside of music. In 2020 she launched a blog, www.rootsinthecitytx.com, where she shares her adventures in vegetable and native plant gardening. She is an avid animal lover and amateur chef. She can often be found at home in the kitchen cooking for family and friends, or when not working, attempting to entertain the cats.

MATTHEW ZERWECK

Matthew Zerweck (matthewzerweck.com) began his music studies at age 5, after watching Itzhak Perlman perform on the children’s television show, “Sesame Street.” After studying with several esteemed artist teachers, he entered the Eastman School of Music. He earned degrees from the Eastman School of Music (BM, MM), where he served as teaching assistant to the world renowned violinist and teacher, Charles Castleman.

Formerly the Assistant Concertmaster of the San Antonio Symphony (2008-2012), Matthew teaches violin full time in San Antonio. His students have played as soloists with the San Antonio Symphony, San Antonio Sinfonietta, and Starlight Symphony Orchestra. His students occasionally pursue music degrees at competitive colleges and conservatories.

An active performer, Matthew leads the San Antonio Sinfonietta as concertmaster. He’s also performed major concertos with the UIW Orchestra and Youth Orchestras of San Antonio. In 2015, he recorded the lead violin parts for “Upon the Awful Tree,” an independent film with an original score by Matt Dunne. In his free time, Matthew enjoys spending time with his wife, Nancy, his son, Charlie, and five cats.

EMILY WATKINS FREUDIGMAN

Emily Freudigman is Co-Founder of Camerata San Antonio. Emily holds degrees in viola performance from Southern Methodist University, the Peabody Conservatory, and the University of Michigan and has been a Fellow at the Tanglewood Music Center and the Aspen Music Festival and School. She has studied chamber music with members of the Juilliard, Muir, Concord and Tokyo String Quartets, and she has performed with the Grand Rapids, Maryland, Fort Worth and Boston Symphony Orchestras. Emily was the Assistant Principal Viola of the San Antonio Symphony from 2002 to 2019. She maintains an active viola studio in San Antonio – her students perform in the Texas All-State orchestras, attend prestigious summer music camps, including the Eastern and Killington Music Festivals and Interlochen Center for the Arts and have gone on to study at the Cleveland Institute of Music and Peabody Conservatory of Music.

KENNETH FREUDIGMAN

Kenneth Freudigman is Co-Founder and Artistic Director of Camerata San Antonio. Ken was Principal Cello of the San Antonio Symphony from 2004 to 2022 and continues in the role with the new San Antonio Philharmonic. A highly-respected cello pedagogue, Ken also serves as Conductor of YOSA’s Symphony and Concertino Orchestras.

Mr. Freudigman began playing the violin at age six and found his true love, the cello, at the age of nine. After six years of study, he was accepted to attend the prestigious Interlochen Center for the Arts. Upon graduating with honors in music performance, he went on to receive a Bachelor of Music from the Eastman School of Music. He began his orchestral and chamber music career while at Eastman, winning a position with the Rochester Philharmonic and was also a founding member of the Esterhazy Chamber Ensemble. In 1992, Mr. Freudigman joined the New World Symphony, an advanced training orchestra for recent graduates of music schools, under the direction of Michael Tilson Thomas. He has also performed with the Atlanta, Utah, Grand Rapids, Charleston, and Virginia Symphony Orchestras, as well as the Sarasota Opera and the Mexico City Philharmonic. Mr. Freudigman was also a founding member of the American Sinfonietta.

His orchestra and chamber music engagements have taken him to the major concert halls of Europe, the Middle East, and throughout South and North America. Mr. Freudigman has performed chamber music with members of the Amadeus and Cleveland Quartets and with the pianist Jean-Yves Thibaudet. He has been a featured soloist with the World Youth and New World Symphony Orchestras, the San Antonio Symphony and the Mexico City Philharmonic, where he was engaged to perform Shostakovich’s First Cello Concerto. Mr. Freudigman can be heard in recordings on the Argo and Summit record labels, featured with Renee Fleming and the New World Symphony Orchestra performing Bachianas Brasileiras by Heitor Villa-Lobos on BMG Classics, and on Camerata San Antonio’s Grammy-nominated premiere CD, Salon Buenos Aires: Music of Miguel Del Aguila.