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    Dialogues des Carmélites

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    Pitt Street Uniting Church
    sydney, australia
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    Event description

    Gente, Gente! is excited to present Francis Poulenc's opera "Les Dialogues des Carmélites"!

    Inspired by the story of the Martyrs of Compiegne, the three-act opera follows the Carmelite nuns in the final days of the Reign of Terror during the French Revolution.

    Performed in French with English translation subtitles.

    CAST & CREATIVE

    MUSIC DIRECTOR / CONDUCTOR

    Joanna Drimatis

    STAGE DIRECTOR

    Bec Moret

    RÉPÉTITEUR

    Nathaniel Kong

    MARQUIS DE LA FORCE

    Tristan Entwistle

    CHEVALIER DE LA FORCE

    Daniel Macey

    BLANCHE DE LA FORCE

    Sarah Cherlin

    MADAME DE CROISSY

    Joanna Dionis Ross

    MADAME LIDOINE

    Samanta Lestavel

    MÈRE MARIE

    Laura Scandizzo

    SOEUR CONSTANCE

    Katrina Mackenzie

    MÈRE JEANNE

    Lucy Bailes

    SOEUR MATHILDE

    Sophie Blades

    L'AUMÔNIER

    Damien Noyce

    PREMIER COMMISSAIRE

    Matthew Gaskin

    DEUXIÈME COMMISSAIRE

    Tristan Entwistle

    GEÔLIER | PREMIER OFFICIER | THIERRY | M. JAVELINOT

    Andrew Pennycuick

    NUNS, TOWNSFOLK, REVOLUTIONARIES

    Ali Aitken
    Hilana Alouani-Roby
    Janet Alexander
    Jenny Farrell
    Jill Halleron
    Mele Huni
    Elena Marcello
    Ingrid Rieger
    Naomi von Senff
    Sophie Takatsuka
    Vincie Tiong
    Patricia Turner


    Kirsten Busby
    Nadia Cassidy
    Courtney Cousins
    Jacqueline Denley
    Isabelle Epps
    Richard Heagren-Gibbs
    Melanie Jha
    Gordon Menzies
    Isabella Rahme
    Caleb Wells
    Priscilla Yuen


    ORCHESTRA

    VIOLIN 1
    Jared Adams

    VIOLIN 2
    Tania Ma

    VIOLA
    Valerie Tate

    CELLO | JUNE 21, 28, 29
    Sophie Funston

    CELLO | JUNE 22
    Lauren Olofsson

    FLUTE, ALTO FLUTE, PICCOLO | JUNE 21 | 22
    Visnja Kosanovic

    FLUTE, ALTO FLUTE, PICCOLO | JUNE 28 | 29
    Haydn McKay

    OBOE, COR ANGLAIS
    Alex Fontaine

    CLARINET, BASS CLARINET
    Katherine Howarth

    BASSOON
    Miriam Alperovich

    HORN IN F
    Rory McClelland

    TRUMPET
    Raphael Harvey

    TROMBONE
    Gareth Lewis

    HARP
    Marjorie Maydwell

    PIANO 
    Nathaniel Kong

    PERCUSSION
    Kaylie Dunstan

    Synopsis

    Act I
    The revolution is gaining pace, and every day the streets of Paris become less safe. After a terrifying encounter with a mob, young aristocrat Blanche de la Force can no longer face the outside world, and announces to her father and brother her intention to join the Carmelite Order as a nun. But once at the convent, the Old Prioress makes clear to the frightened girl that the church is a place of prayer, not refuge. Blanche vows to face her fears.

    Blanche and Sister Constance talk while they perform their chores. Both are struck by the Old Prioress’s illness and conversation turns to death. Constance suggests that she and Blanche offer their lives up for that of the Prioress, but Blanche rejects the idea angrily. Constance persists, sharing her belief that they will both die young, and on the same day.

    In the Infirmary the Old Prioress, Madame de Croissy, is dying. Before her death she entrusts Blanche, the newest member of the order, to the care of Mère Marie. Suddenly fearful and angry, despite a lifetime of faith and prayer, her end is agonising, witnessed by a terrified Blanche.

    Act II
    At night in the chapel Blanche and Constance keep vigil over the body of the Prioress. Later they talk again about her death, and Constance shares her theory that Madame de Croissy’s violent death was not her own but belonged to another. Someone else, she speculates, may find their’s unexpectedly easy as a consequence.

    The new Prioress, Madame Lidoine, gathers the nuns together to reassure them as the Revolution grows. Blanche’s brother the Chevalier de la Force arrives to try and persuade his sister to flee Paris with him, but Blanche is steadfast and will not leave her sisters.

    The chaplain, stripped of his office by the Revolutionaries, performs one final Mass in the convent. The nuns discuss their own fates, and Mère Marie wonders whether they will become martyrs. But the conversation is interrupted by the arrival of soldiers. All religious houses have been dissolved, and the nuns must immediately put aside their habits and rejoin the community, or else face execution.

    Act III
    In the ransacked and empty chapel the nuns take a vote to decide whether they will become martyrs. After a false start the vote is unanimous. Overcome with emotion, Blanche flees.

    The nuns have disbanded and have once again become everyday citizens. Blanche has returned to her family home where she now works as a servant. Mere Marie pays her a visit and urges her to rejoin her sisters. Shortly afterwards, Blanche learns that the nuns have been arrested.

    The Carmelites await their deaths calmly. Singing the Salve Regina, they are led to the guillotine one by one. As each blow falls the voices become fewer and fewer until just one – Soeur Constance – remains. Just as she prepares to die she is startled to see Blanche stepping forwards out of the crowd. Calm and confident, she walks to her death behind her sisters.

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