Why walk down Memory Lane?

The word "backward" only makes sense when in conjunction with forward. Memory can only exist in the context of the present. By walking backwards, we are metaphorically delving into an alternative state that will offer a shift in perspective. There is an innate human desire that we all possess: the desire to connect with our past, our experiences, and nostalgia. Shifting your perspective can offer you the opportunity to connect with memory differently, making new ways to create a first-time experience again.

“The past is such a curious creature\to look her in the face\A transport may reward us\Or a disgrace” —Emily Dickinson

What to Expect

We will meet at the main entrance to the Kansas City Art Institute on Warwick Boulevard. Street parking is available nearby.

In our walk, we will lead a guided meditation revolving around memory. The walk between meditations will be led backwards, spanning about 45 minutes. There's a fear factor that plays in when you're walking backwards, unaware of what's ahead. If you find the idea of walking or moving backwards physically challenging, rest assured, there is no requirement for constant physical activity, as you can still participate in the meditations. In this case, we encourage participants to offer each other guidance as a means of reaching our collective goal/destination. To prepare yourself for the walk, please arrive in comfortable attire and tennis shoes that would not obstruct movement—skirts are not recommended. No other materials are required besides your presence.

About the Artists

Ceramic and performative artist Addisyn Gibson is a Texas native and current undergraduate student at the Kansas City Art Institute pursuing her Bachelor's in Ceramics with a Minor in Social Practice. Gibson largely bases her work on an interest in the body’s identity and awareness of the physical self, alongside a closer exploration through ceramics of her fascination with her native southern culture. Growing up, Gibson was a dancer, and in the latter half of her current career, she trained with BHumn Arts Ensemble, performing in several of their biannual concerts. This history with movement formed her current interest in the mental and physical connection a person maintains with their body.

Viktor Beauchamp is a current student at Kansas City Art Institute studying Ceramics and Social Practice. His work expresses the ephemeral quality of life, with an emphasis on gesture and figurative work. He has a keen interest in representing intangible concepts, and a deep-seated desire to help others feel seen and heard. The reflection ever-present within Beauchamp’s works relates directly to the reflective nature of the walk. By partnering with Addisyn Gibson, Viktor Beauchamp hopes to provide community and a shared experience for the walk participants.