OMNI International AI Film Festival - HYPERPHANTASIA
Description
TICKETS NOW ON SALE
OMNI is Australia and the Southern Hemispheres first AI film festival, celebrating the best generative AI storytelling in film from around the world.
This event is for the curious-
OMNI International AI Film Festival “HYPERPHANTASIA”- Presented by Envato - is an evening of incredible films made by human filmmakers using GenAI tools. The program will be showcasing stunning new work by creators from around the world who are both experimenting and developing compelling new films and ways of telling them. The focus of the program is on storytelling with a strong emphasis on the visually incredible and how artists and filmmakers can use these tools to further develop this new artistic medium- “HYPERPHANTASIA”.
The evening will present a one hour curated selection of the best AI-assisted films of today, followed by a live discussion with; members from the OMNI judging panel, creators, and expert technologists, discussing tech, creativity, and the evolving language of cinema. This is the third major OMNI Festival in Australia and is generously supported by - Envato, "Where the world's broadest stock catalog meets AI"
For more information about OMNI please visit: www.omnifilmfestival.com/hyperphantasia
FAQs
- Who are the Jury for this film festival?
OMNI Hyperphantasia brings together a jury that reflects the full breadth of what AI cinema can be and where it may be heading.
Alex Proyas, director of The Crow, Dark City, and I, Robot, is one of the few filmmakers in history who is building his artistic reputation on AI as a creative medium, having produced an entirely AI-generated feature and developed a new AI-enabled project that pushes cinema into genuinely uncharted territory.
Yan Chen, Studio Architect for Kennedy Miller Mitchell and CEO of AuroraAI, has spent decades building the invisible infrastructure behind Hollywood's most ambitious productions and now sits at the frontier of what generative AI means for the future of storytelling and VFX.
Clayton Jacobson, the award-winning Australian director behind Kenny and Brothers' Nest, brings deep craft instinct and a filmmaker's eye to the jury, grounded in both celebrated mainstream cinema and his own evolving practice in AI filmmaking with Gunshy Cowboys.
Thea-Mai Baumann, CEO of 4A Centre for Contemporary Asian Art and founder of the world-first hologram brands Metaverse Makeovers and 超宇美人, brings rare curatorial vision at the intersection of art, culture, and immersive technology.
Rounding out the jury, Professor Toby Walsh, Chief Scientist at UNSW's AI Institute and one of the world's foremost voices on AI ethics, ensures that the work screened at Hyperphantasia is both relevant gives it context and place in the global AI discussion
- Where can I find out more?
Visit the OMNI International AI Film Festival Website - to find out more about our screenings, events and views on Gen-AI: https://www.omnifilmfestival.com/hyperphantasia
- Why a Gen-AI film festival?
We approach with curiosity -
We all are living through a moment in visual culture that will not be repeated. The tools are new, the medium is being defined, and the question of what constitutes authorship is very much in the hands of people who are both creating and consuming. This is a new territory to be explored with curiosity. As artists, builders, thinkers and creators we get the chance to develop what we want to see and cultivate and help define quality.
We invite people with an open mind to come and see what is current and changing in Generative AI film and Filmmaking.
"Whether you're a fan of AI or not, these films are well worth watching. They're as riveting in their storytelling as they are groundbreaking in how they're made. This is truly the frontier of AI in entertainment, and we can't wait to show you." - Radii - Is this appropriate for all ages?
The film program and discussions are designed for and intended for adult and mature audiences. Viewer discretion is advised.
All films shown are GenAI produced and are the creative work and owned by the submitting creator/filmmakers.
Tickets for good, not greed Humanitix dedicates 100% of profits from booking fees to charity



