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Political Dumplings - Talks & Collective Cooking with Bordered Lives

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The Advocacy Academy, The Liberation Centre
London, United Kingdom
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Description

In response to the conservative turn visible in many parts of the world, In Between Zones, as a loose curatorial collective, explores new ways of imagining how geopolitical tensions shape everyday life. We seek to reveal the often-hidden interconnectedness of borders that appear separate, yet are deeply linked through shared histories, movements, and cultural practices.

Dumplings, we believe, embody this connectedness: from Chinese jiaozi to Georgian khinkali, their journey from Central and East Asia across the world—through trade routes, colonial expansion, migration, and cultural exchange—reminds us that food-making is never neutral. It is a form of labour, care, and cultural transmission that sustains relationships across borders.

Here, we apply the concept of “political kitchen” and invite socially engaged academics and artists who defy the logics of nationalism and state borders to engage in transnational, interdisciplinary conversation alongside collective cooking.

  • Begin with a talk, followed by presentations from the participant artists and academics.

  • Then, move to the on-site kitchen to make dumplings of various shapes together (e.g., Chinese, Indonesian, Levantine, and Russo-Korean). Led by / co-learned with the event's invited guests, organisers, and participants who are confident in cooking!

Aria Danaparamita (Mita): i was thinking we could do indonesian-style siomay which is served with peanut sauce. i found a veggie recipe but it's in indonesian, would you be able to translate it? we can tweak it based on what ingredients are accessible. and if we're already making the dumpling skin for the other dumplings we could use that same recipe (what makes it "indonesian" is the peanut sauce)

Main Ingredients: white tofu, bitter melon, cabbage, potato, carrots, peanuts.

Dorothy CheungI will try making Wonton based on a recipe found online specifically written for the U.K. context. Wonton is popular in the Canton area and Hong Kong, but people don’t usually make them at home in Hong Kong, as it is time-consuming and difficult to make! But anyway, we will just try to make do with what we find here.

Main Ingredients: prawns and pork.

Hanadi Samhan will bring us Shish barak (also spelt shushbarak or shishbarak), a popular Levantine dish consisting of small, meat-filled dumplings simmered in a creamy, tangy garlic-yoghurt sauce. Often described as the "ravioli of the Middle East," this comfort food is a staple in Lebanese, Syrian, Jordanian, and Palestinian cuisines, particularly during winter and special occasions such as Ramadan.

Main Ingredients: beef, yoghurt, red onion, tahini, Lebanese seven spices.

Misha Zakharov: It’s Koryo-Saram dumplings called pigodi (also known as pyanse). I’ve been meaning to learn how to cook them anyway, so this feels like a great opportunity. Ideally, they should be cooked in a bamboo steamer, but a frying pan should also do it. 

Main Ingredients: egg (optional), banana, mushroom, carrot.

*Disclaimer: The event is ticketed, and proceeds will be used to support on-site food, drinks, and other organisational costs. As we aim to create an inclusive and accessible space, we may be able to waive the participation fee for certain groups. If this would be helpful for you, please feel free to contact us at inbetweenzones@outlook.com to discuss further.

Guests

  • Aria Danaparamita (Artist)

    Aria Danaparamita (Artist)

    Mita is a lens-based artist, writer, and community organiser whose work engages art as poetic resistance for collective liberation. Traversing words, photography, and moving image, their artistic and community-based practice explores diasporic decolonialities, often through the lens of land, place, and belonging. With research interests in colonial visual and material historiography, their curatorial and academic work interrogates the political intersections of archive, material culture, and colonial legacies.

  • Dorothy Cheung (Artist)

    Dorothy Cheung (Artist)

    Dorothy Cheung is an artist from Hong Kong. She works with moving-image and poetry to examine identity and home from both personal and political angles, focusing on memory and forgetting. Her moving-image works have been screened at the Whitney Museum of American Art, EYE Filmmuseum, Objectifs, and M+, and internationally at festivals, including the International Film Festival Rotterdam, the Asian Avant-Garde Film Festival, the London Short Film Festival, the Taiwan International Documentary Festival, and Queer Lisboa. Photo credit: Shou-An Chiang

  • Hanadi Samhan (Urban Practitioner and Researcher)

    Hanadi Samhan (Urban Practitioner and Researcher)

    Hanadi is a spatial planning consultant and academic whose 16 years of practice spans the MENA region and the UK. Her work bridges policy, design, and research, with demonstrated leadership in developing regional master plans, sectoral design guidelines, and urban strategies that align local priorities with national visions. She has provided strategic consultancy to public and private agencies in Saudi Arabia, Lebanon, and internationally, leading complex projects that integrate policy planning, spatial analysis, and comprehensive regulatory frameworks. These questions of spatial negotiation and adaptation inform her academic work at UCL's Bartlett School of Planning, where she teaches neighbourhood planning and community engagement in London. Her research extends this inquiry into contested environments, examining Palestinian refugee camps through the lens of verticality. Rather than viewing these spaces as horizontal and flat, she explores how they develop vertically, perpetually in formation, never fixed, always contingent, revealing how communities navigate tensions between ordinariness and emergency, the politics of exile and the geopolitics of territory, sovereignty, and security.

  • Misha Zakharov (Author and Film Worker)

    Misha Zakharov (Author and Film Worker)

    Misha Zakharov (he/they; @m_m_zakharov) is a Russian-born, queer-identifying person of Korean descent, as well as a pro-Ukrainian political refugee in the UK. He is a London-based author and film worker with a particular interest in queer and decolonial perspectives on Central and Eastern Europe, the Caucasus, and Central Asia. His work includes an autofictional novel on coming of age queer, Korean, and precarious in contemporary Russia, Doramaroman (No Kidding Press, 2022). Misha is currently completing a practice-based PhD in Film & TV Studies at the University of Warwick, Coventry. As part of this, he ran two editions (2023–24) of Screening Rights, a festival of socially engaged and formally innovative cinema from the Global South in the West Midlands. Its 2024 edition, Double Bill, explored notions of solidarity through cross-community events, including Palestinian-Ukrainian solidarity screenings and a focus on ESEA forced displacement in the USSR and the UK through an event on Koryo-Saram and Chinese Liverpudlians. As a guest curator, he has staged film events with festivals and institutions including London Short Film Festival, Queer East, London Migration Film Festival, MilkTea Films, Flatpack Festival, and Atlas Cinema. His academic and film-curatorial work investigates film events as sites of (un)learning, refugee world-making from below, and South-South solidarity. Photo credit: Dasha Kuznetsova / ig: @paristexas84

Organisers

  • Nicole Z. Zhang (Art Writer and Curator)

    Nicole Z. Zhang (Art Writer and Curator)

    Graduated with a Master of Research in Arts, in Exhibition Studies at Central Saint Martins, her curatorial research interests focus on feminism, art activism, and alternative historical narratives. She founded In Between Zones, an art project and loose curatorial collective in 2024 that engages with diaspora and spatial politics to challenge (neo-)colonial epistemologies, facilitate transnational dialogue, and reconfigure existing power relations. Then initiated a scattered-site exhibition-event, In Between Zones–A London Art Guerrilla Tour, in 2025. Independent curatorial projects include Zones of Estrangement (2025) in Highgate Wood, London, The Skin Project (2025) at House of Annetta in London, and the exhibition In Between the Fields (2023) at the ChunYangTai Arts and Cultural Centre in Guangzhou. Her writings are scattered across The Art Journal, Artforum, Gallery Magazine, and other outlets.

  • Qianrui Hu (Researcher)

    Qianrui Hu (Researcher)

    PhD candidate at the School of Slavonic and East European Studies, University College London. His academic interests mainly include the sociology of borders, war, migration, and ethnicity. Having started his PhD in 2021 before Russia’s full-scale invasion against Ukraine, he initially planned his fieldtrip to Donbas to write about the everyday social dynamics happening in the background of the war there. Since the outbreak of the big war, he has focused on people’s reinterpretations of their wartime experiences in the Donbas between 2014 and 2022 in relation to the full-scale war. Besides his academic work, he has volunteered with organisations providing refugee relief, including KHARPP and Ukrainian House in Warsaw. His writings are scattered across Shado Magazine, TRAFO - Blog for Transregional Research, Civil War Paths, and other outlets.

  • Edge Fund

    Edge Fund

    A grant-making body supporting efforts to achieve social, economic and environmental justice & to end imbalances of wealth and power!

  • The Advocacy Academy

    The Advocacy Academy

    The Liberation Centre, based in Brixton since 2014, is the Advocacy Academy’s hub for community organising.

Graphic Designer

  • Ning Jiang

    Ning Jiang

    Graphic designer and artist. He graduated with a Master of Arts from Sorbonne University and is currently working at MAY Revue at the Cité internationale des arts.

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The Advocacy Academy, The Liberation Centre
London, United Kingdom
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