PREVIEWS: Eurydice by Sarah Ruhl directed by Amy Kowalczuk

What's a preview performance? A preview is a full run of the show with costumes, running from beginning to end. If everything is going well, the preview will not be interrupted but the Director or Stage Manager may stop the show. Previews are an essential part of the production process and they are under-utilised in Australia. It is not the same as watching a rehearsal but you might notice a few creaks or bumps and this is reflected in the reduced ticket price.

The opening night of this show is Wednesday 27 November and tickets can be purchased here.

Duration: 60 minutes approximately with no interval

Audience suitability: For lovers of mythology, theatre, kids interested in story-telling and adults who love to love!

Please note the Mill often uses haze, flashing lights and loud sound. Please check with the team for full details so we can tell you exactly what this show is like! hello@milltheatreatdairyroad.com

The Play

In Eurydice, Sarah Ruhl reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. With contemporary characters, ingenious plot twists, and stunning production elements, the play is a fresh look at a timeless love story.

CREATIVES

Cast

Eurydice: Alana Denham-Preston

Her Father: Timmy Sekuless

Orpheus: Blue Hyslop

A Nasty Interesting Man/The Lord of the Underworld: Michael Cooper

A Chorus of Stones: Heidi Silberman, Sarah Hull, Sarah Nathan-Truesdale

Contingency: Rhys Hekimian, Michelle Norris

Production Team

Writer: Sarah Ruhl

Director: Amy Kowalczuk

Movement Director: Michelle Norris

Costume Designer: Leah Ridley

Set Design and Construction: Simon Grist

Lighting Designer: Jennifer Wright

Vocalist: Eleanna Stavrianoudaki with sound effects from Artlist.

Production Stage Manager: Lexi Sekuless

Photographer: Daniel Abroguena

Producer: Lexi Sekuless Productions

Major partner: Elite Event Technology

Principal Sponsor: Willard Public Affairs

Eurydice is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.

TICKETS

All tickets are $35 inclusive of GST but exclusive of Humanitix booking fees. Tickets are fully refundable and transferable up to one day before the event.

Tickets are for entry only and are available online until one hour before the show. From that point, box office tickets in person are available for purchase.

Also available is a special PREVIEW + MAIN SHOW Ticket for $70 inclusive of GST but exclusive of Humanitix booking fees. Watching a preview is like being let in backstage and seeing the very end of rehearsals. You become part of the process! If you would like to see a preview and then return to watch the show in its final and fully polished form then please enjoy this special double ticket price of $70 for two tickets. For this price you get to see the show twice. Once this ticket is booked we will contact you to ensure we can secure the right dates for you to attend the show.

SEATING & ACCESS

All tickets are general admission and no seats are reserved so the earlier you arrive, the better position you will have. If you have any access needs and require reserved seating you must email us before the show please hello@milltheatreatdairyroad.com
Seating is in an L-shape to create a dynamic and intimate playing space.
The venue is fully accessible for wheelchairs with a ramp from the P3 parking spot and same level access from entry into building 3.3 into the theatre all the way to the accessible seating positions inside the Mill. We have two wheelchair seating positions both with very different views. Please contact us at hello@milltheatreatdairyroad.com so we can talk through the options, including adding companion card tickets. One option is on the short side, the other option is on the long side. All accessible bookings will be reserved.
Every seat in the house has a great view, and a different view. Patrons walk through the set to find your seats, adding to the intimacy of the space. This means, late arrivals or patrons who leave the theatre before intermission or the end will NOT BE ADMITTED TO THE THEATRE.

ARRIVAL & PROTOCOLS

ENTERING

Please head to the Box Office on arrival. You really must do this please. If you have already purchased a ticket, the Front of House team checks off the name of every booked attendee. Please do not try to walk directly into the theatre.
If you haven’t purchased a ticket, you can get one onsite an hour before show time. However, it is a very small theatre and we have started selling out and we do not hold any seats.
The doors open approximately 15 minutes before show time. The Front of House team will let you know when you can enter.

LOCK OUT

Due to the unique layout of the venue, the audience walks through the stage to take their seats. This means we cannot accommodate anyone slipping in late for the beginning of the show or for the return after intermission.
The Front of House team rings a bell and counts the audience to ensure you won’t miss out but please don’t tempt fate otherwise you will be locked out and we cannot let you in. We even call any audience who might be running late to make sure you won’t miss the show!

CAST AND CREW

We have two COVID-contingency cast members. This process means that should any cast or crew be unwell, our contingency cast will step in to ensure the safest environment for the company and audience. The Front of House team will ensure audiences are alerted to any changes before each show.

LOCATION

The Mill Theatre is in Building 3.3, the Screencraft and KeepCo building which is a short walk from Capital Brewing. There are two easy ways to approach the Theatre:

PARK in P3 at the back of the precinct. From there you will see building 3.3 which has a large Screencraft sign. The public entrance is just up from that sign (not underneath it!). Once inside, walk about 5 metres and the theatre is to the right, next to Mojo Guitars.

WALK from Capital Brewing or the Less sculpture into the KeepCo building, pass Ramen Daddy and at the end of the corridor we are on the left.

PARKING

All parking in the precinct is free with several accessible parking spots in all the parking locations. The best spot to park is P3 at the back of the precinct. If you park elsewhere please be warned that signage and way-finding around the precinct is extremely difficult. Arrive in plenty of time to possibly get lost, possibly be in a bad mood, and remedy that with a drink at Vertikal or Ramen Daddy before enjoying a smashing show!