Ribix Productions presents the Australian Premiere of Peter/Wendy by Jeremy Bloom, directed by Rachel Pengilly

Late one night, as all the stars watch on, Peter Pan lures Wendy Darling away from her home and her mother. Together, they journey to Neverland where she meets his eclectic crew: a swearing fairy, a perennial flower, and one very lost boy. But Neverland is not quite the magical place she was promised. Shadowy beasts roam the island, the mermaids wail strange cries at night, and the poetry-loving pirate-captain Hook lurks around every corner. As Wendy wanders further into the dreamlike world, Mrs Darling begins an adventure of her own: to bring her daughter home.

Playful and inventive, full of whimsy and mischief, Peter/Wendy tells the well-loved classic through a new set of eyes, asking what it means to grow up when some children never get the chance.

Duration: 80 minutes approximately without an intermission

Audience suitability: Contains adult themes, references to death, and mock violence. Recommended for ages 10+

Please note that this show may contain haze, some loud noises, and flashing or moving lights.

Understudy Performance: Please note that on Thursday, 18 September, the role of Wendy will be played by Aleksis Andreitchenko.

Relaxed Performance: 2:30pm Saturday 20 September

Presented as part of the Mill Theatre Co-Production Series, a program which provides an avenue for creatives to present their own work in the Mill Theatre space.

CREATIVES & COMPANY

Peter Pan: Joshua James

Wendy: Veronica Baroulina

Lost Boy/Mermaid: Phoebe Fielden

The Tiger Lily: Sarah Hartley

Tinker Bell: Chipz

Mrs Darling/Hook: Heidi Silberman

Mr Darling/Smee: Mark Lee

Wendy U/S, Swing: Aleksis Andreitchenko (playing 6 & 18 September)

Writer: Jeremy Bloom

Director: Rachel Pengilly

Movement Director & Stage Manager: Hannah Pengilly

Composer & Sound Designer: Shannon Parnell

Set & Costume Designer: Helen Wojtas

Lighting Designer: Jacob Aquilina

Fight Director: Wajanoah Mascot Donohoe

Assistant Stage Managers: Ciara Ford, Sophie Hope-White

Co-Producers: Ribix Productions and Lexi Sekuless Productions by permission of ORiGiN™ Theatrical on behalf of Playscripts, Inc and Broadway Licensing Global

Major partner: Elite Event Technology

Principal Sponsor: Willard Public Affairs

Media partner: Dark Horse Creative

TICKETS

General admission tickets are $50 inclusive of GST but exclusive of Humanitix booking fees.

Concession tickets for Full-Time Students, Health Care or Pension Card holders are $40 inclusive of GST but exclusive of Humanitix booking fees.

Tickets are fully transferable up to one day before the event only. No refunds are available.

Tickets are for entry only and are available online until one hour before the show. From that point, box office tickets in person are available for purchase.

The information below goes into a lot of detail but if you have further questions, please email us at hello@milltheatreatdairyroad.com. A small team can see that inbox and we respond very quickly. The Mill is a very quirky space and we want to welcome you!

SEATING & ACCESS

All tickets are general admission and no seats are reserved so the earlier you arrive, the better position you will have. If you have any access needs and require reserved seating you must email us before the show please hello@milltheatreatdairyroad.com
Seating is in an L-shape to create a dynamic and intimate playing space.
The venue is fully accessible for wheelchairs with a ramp from the P3 parking spot and same level access from entry into building 3.3 into the theatre all the way to the accessible seating positions inside the Mill. We have two wheelchair seating positions both with very different views. Please contact us at hello@milltheatreatdairyroad.com so we can talk through the options, including adding companion card tickets. One option is on the short side, the other option is on the long side. All accessible bookings will be reserved.
Every seat in the house has a great view, and a different view. Patrons walk through the set to find your seats, adding to the intimacy of the space. This means, late arrivals or patrons who leave the theatre before intermission or the end will NOT BE ADMITTED TO THE THEATRE.

ARRIVAL & PROTOCOLS

ENTERING

Please head to the Box Office on arrival. You really must do this please. If you have already purchased a ticket, the Front of House team checks off the name of every booked attendee. Please do not try to walk directly into the theatre.
If you haven’t purchased a ticket, you can get one onsite an hour before show time. However, it is a very small theatre and we have started selling out and we do not hold any seats.
The doors open approximately 15 minutes before show time. The Front of House team will let you know when you can enter.

LOCK OUT

Due to the unique layout of the venue, the audience walks through the stage to take their seats. This means we cannot accommodate anyone slipping in late for the beginning of the show or for the return after intermission. This also means, if you need to leave during the show, we cannot allow you back in. If patrons are rude or resistant about this fact then it makes for both an unsafe and unpleasant time for everyone. Please think about this before you book and before you arrive.
The Front of House team rings a bell and counts the audience to ensure you won’t miss out but please don’t tempt fate otherwise you will be locked out and we cannot let you in. We even call any audience who might be running late to make sure you won’t miss the show!

LOCATION

The Mill Theatre is in Building 3.3, the Screencraft and KeepCo building which is a short walk from Capital Brewing. There are two easy ways to approach the Theatre:

PARK in P3 at the back of the precinct. From there you will see building 3.3 which has a large Screencraft sign. The public entrance is just up from that sign (not underneath it!). Once inside, walk about 5 metres and the theatre is to the right, next to Mojo Guitars.

WALK from Capital Brewing or the Less sculpture into the KeepCo building, pass Ramen Daddy and at the end of the corridor we are on the left.

PARKING

All parking in the precinct is free with several accessible parking spots in all the parking locations. The best spot to park is P3 at the back of the precinct. If you park elsewhere please be warned that signage and way-finding around the precinct is extremely difficult. Arrive in plenty of time to possibly get lost, possibly be in a bad mood, and remedy that with a drink at our bar before enjoying a smashing show!

REFUNDS

Under what circumstances will you accept refunds?

When the event is postponed/cancelled you will receive a refund

Should we expect a credit or transfer instead of a refund?

Yes, transferring your ticket to another date or crediting your ticket to another show is allowed at any time. Please email hello@milltheatreatdairyroad.com to arrange this.

Contact the host of Peter/Wendy - September - 2025 - Mill Theatre at Dairy Road

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