Accurate and consistent colour doesn’t need to be difficult!

In this workshop you will learn how to quite simply take back control of the colour in your photography to ensure predictable results from the initial capture of your images, through the editing process and then on to printing your masterpieces the way they should be. During the in-depth workshop session, Ian translates the technicalities of printing and explains the techniques and devices to use to achieve perfect colour.

One cannot underestimate the tactile experience of holding a photograph, of feeling its weight and texture, a far cry from merely swiping through digital images on a screen. It brings a new dimension to the artwork, making it more palpable and immediate.

Moreover, a printed photograph opens up an avenue for artistic interpretation that extends beyond what a digital screen can offer. Paper quality, ink types, and printing techniques contribute to the result, allowing photographers to add unique layers of depth and nuance to their work. The characteristics of various printing papers - from handmade Japanese papers to types that evoke nostalgic emotions enrich the outcome, imbuing it with added layers of artistic intent and meaning.

What is colour management?

Colour management is essentially the process of controlling the way colours are represented across various devices such as cameras, computer monitors, and printers.

Why is colour management critical?

Simple – because in photography, you want to make sure your colours are exactly the way you want them across all devices and media.

Topics covered:

Camera white balance
Calibrating and profiling your monitor
Understanding colour spaces and conversions
Understanding rendering intents
Accurate colour printing using ICC profiling
Soft proofing
Correct viewing

Location:

Unit 27 1-7 Short St, Chatswood