Replica School concludes on November 7 with Model Collapse, a slow drift through some sundry spaces of the University, where performances, lectures, improvisations and interventions unfold over the course of the day in basements, hallways, libraries, and lecture rooms. This is a school within a school, a parasite within a parasite. You will not find classes managed by overwrought content management systems that drain the life force out of ideas. You will probably find:

An introduction to a video essay on humans, dogs, AI and the multitudes they contain, by Sophie Penkethman-Young

A skilled hand, a cultivated mind. Short songs about hands, performed to a sculpture of a hand, by Jenny Hickinbotham.

Dada-mined, hardcore prompt engineering with a drill, in RMIT library by Ceri Hann. A hole-istic approach.

Possible score for multiple university photocopiers by Marcus McKenzie.

A pitch deck presentation for mob.io, fictional pro-Indigenous grassroots software company, by artist entrepreneur Joel Sherwood Spring.

A piece for voices, microphones, and listeners in a council chamber, by Rosyln Orlando

Composer James Rushford, public recital on the RMIT grand piano.

Catherine Ryan is deciding between two performances, one of which is called The Two Body Problem.

Plus, Readings and writings of replicas by members of non-fictionLab. And more. End.

This event will take place across RMIT University, starting at RMIT Gallery. Please keep an eye out for session meeting locations to be announced soon.

Replica School is part of This Hideous Replica, at RMIT Gallery until the 16 November 2024.

Session 1, 12:30 – 2:30PM
Meeting point: RMIT Gallery

Joel Stern and Sean Dockray
Sophie Penkethman-Young
Jenny Hickinbotham
Ceri Hann
non-fictionLab

Session 2, 3 – 4:30PM
Meeting point: RMIT Gallery

Marcus McKenzie
Joel Sherwood Spring
Roslyn Orlando

Session 3, 5:30 – 7PM
Meeting point: RMIT Gallery

James Rushford
Catherine Ryan