Seventh Cinema: Tambaku Chaakila Oob Aali and Born in Flames

Tambaku Chaakila Oob Aali (Tobacco Embers) (1982) 25m. Directed by the Yugantar Film Collective. 

TAMBAKU CHAAKILA OOB ALI documents, re-enacts, and takes forward one of the largest movements of unorganized labor of its time and context, which sparked unionising processes across India throughout the 1980s. In the spirit of mobilising for the leftist labor and the women’s movements the Yugantar collective spent four months with female tobacco factory workers in Nipani, Karnataka in India, listening to their accounts of exploitative working conditions, discussing strategies for unionising and steps to broaden solidarities for strike actions, and filming previously unseen circumstances inside the factories.

Born in Flames (1983) 1h 30m. Directed by Lizzie Borden.

The film that rocked the foundations of the 1980s underground, this post punk provocation is a DIY fantasia of female rebellion set in America ten years after a social-democratic cultural revolution. When Adelaide Norris (Jean Satterfield), the black revolutionary founder of the Woman’s Army, is mysteriously killed, a diverse coalition of women—across all lines of race, class, and sexual orientation—emerges to blow the system apart. Filmed guerrilla style on the streets of pre-gentrification New York, BORN IN FLAMES is a Molotov cocktail of feminist futurism that’s both an essential document of its time and radically ahead of it.

Concerning Violence 

We are pleased that Seventh Cinema is back for a second season! 

This year's curated film program is anchored in Martinican psychiatrist and anti-colonial thinker Frantz Fanon’s often-misunderstood and overly read essay Concerning Violence from his 1961 book The Wretched of the Earth. For this season, we have curated films that engage with Fanon’s work in the spirit he intended - not as an endorsement of violent action, but as a confrontation of the processes that drive the colonised to employ violence. This season includes seminal films such as The Battle of Algiers, one of cinema’s great political masterpieces, which charts the Algerian national liberation movement from its beginnings in 1954 through to independence in 1962. Also featured is Embrace of the Serpent, a visually stunning work filmed on 35mm in the Amazon, set against the violent backdrop of the colonial rubber trade. Dulce Fernandes' film essay Tales of Oblivion by offers a meditative reflection on the physical and cultural remnants of colonial atrocities in our present landscapes  - a 15th-century landfill turned car park and mini golf course, museum artefacts - capturing the haunting echoes of the horrific trade in human beings. 

We welcome you to join us in viewing these important films and reflecting on their profound relevance to the present. This season invites a critical examination of colonialism within our local context and the atrocities unfolding further afield. In engaging with Fanon’s work, we are called to consider the responsibilities of Western intellectuals and nations in perpetuating or dismantling colonial systems. Most importantly, these films challenge us to ask: what is our role in the revolution?

Screenings are free to attend, and all are welcome.