The Battle of Algiers (1966) 2h 1m. Directed by Gillo Pontecorvo.

One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s. As violence escalates on both sides, children shoot soldiers at point-blank range, women plant bombs in cafés, and French soldiers resort to torture to break the will of the insurgents. Shot on the streets of Algiers in documentary style, the film is a case study in modern warfare, with its terrorist attacks and the brutal techniques used to combat them. Pontecorvo’s tour de force has astonishing relevance today.

Concerning Violence

We are pleased that Seventh Cinema is back for a second season!

This year's curated film program is anchored in Martinican psychiatrist and anti-colonial thinker Frantz Fanon’s often-misunderstood and overly read essay Concerning Violence from his 1961 book The Wretched of the Earth. For this season, we have curated films that engage with Fanon’s work in the spirit he intended - not as an endorsement of violent action, but as a confrontation of the processes that drive the colonised to employ violence. This season includes seminal films such as The Battle of Algiers, one of cinema’s great political masterpieces, which charts the Algerian national liberation movement from its beginnings in 1954 through to independence in 1962. Also featured is Embrace of the Serpent, a visually stunning work filmed on 35mm in the Amazon, set against the violent backdrop of the colonial rubber trade. Dulce Fernandes' film essay Tales of Oblivion by offers a meditative reflection on the physical and cultural remnants of colonial atrocities in our present landscapes - a 15th-century landfill turned car park and mini golf course, museum artefacts - capturing the haunting echoes of the horrific trade in human beings.

We welcome you to join us in viewing these important films and reflecting on their profound relevance to the present. This season invites a critical examination of colonialism within our local context and the atrocities unfolding further afield. In engaging with Fanon’s work, we are called to consider the responsibilities of Western intellectuals and nations in perpetuating or dismantling colonial systems. Most importantly, these films challenge us to ask: what is our role in the revolution?

Screenings are free to attend, and all are welcome.