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    SILO SOUNDS presents: TAMARA ANNA CISLOWSKA ‘The Art of Listening’

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    Ross Memorial Uniting Church
    harden, australia
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    TAMARA ANNA CISLOWSKA ‘The Art of Listening’

    “What a treat to be able to hear such a fantastic, sensitive and agile pianist” 

     The Age (February 2018) 

    Tamara Anna Cislowska is arguably Australia’s most renowned, ARIA award-winning concert pianist and familiar ABC presenter. Tamara has performed and recorded in Australia, London, Italy and Greece Japan the USA. Awarded an ARIA for 'Best Classical Album’ she has eight ARIA no.1 albums. Tamara presents her weekly program ‘Duet’ for ABC Classic FM. 

    PROGRAMME:

    BACH Prelude in E flat minor

    PIAZZOLLA Libertango

    MOZART Serenade: Deh vieni alla finestra (Don Giovanni)

    FOLDS Capable of Anything

    KATS-CHERNIN Moth-Eaten Rag  - Clarinet and Piano (with Deborah de Graaff)

    PIAZZOLLA Milonga- Clarinet and Piano (with Deborah de Graaff)

    BRAHMS Intermezzo op.118 n.2

    CHOPIN Fruhling

    VERDI Rigoletto (Paraphrase by Liszt)


    Ross Memorial Uniting Church, 7pm, Saturday December 3rd, 2022

    Did you know that this event coincides with the Cherry Festival Weekend? Why not spend the whole weekend in Harden? After the concert and beautiful supper, rest over at one of our beautiful motels, hotels and B&Bs. For accomodation in Harden see https://www.hrdc.org.au/explore/#stay 

    For other events on this weekend see https://www.visithilltopsregion.com.au/see-do/festivals-events/

    To guarantee best seats online bookings are recommended – or phone Stewart ph ‭+61 423 090 912‬


      Proudly sponsored by Freeman Vineyards and HRDC 

      _____________________________________________

      TAMARA ANNA CISLOWSKA reviews:

      "A profoundly affecting release" - Gramophone, 2015 (Sculthorpe album review) 

      “Australian piano gold... transfixing” – BBC Music Magazine, 2015 (Sculthorpe album review) 

      “magisterial and uplifting” – Limelight Magazine, 2017 (live review: Monet’s Flowers of War, National Gallery of Australia) 

       “the audience welcomed one of the busiest concert pianists around, Tamara-Anna Cislowska. What a treat to be able to hear such a fantastic, sensitive and agile pianist navigate Prokofiev’s intense and lengthy cadenzas… Cislowska’s playing was impeccable. She was in turns immensely powerful and charmingly vulnerable, channelling the young Prokofiev as the pianist battles with pressures and forces internal and external… thunderous applause” 

      The Age (live review, Prokofiev Piano Concerto no.2/Canberra Symphony Orchestra, February 2018) 

      “a thrill to hear [Cislowska] performing the technically demanding Prokofiev Piano Concerto No 2 in G minor… wonderful control and contrast in her playing style – one moment delicate and sublime then suddenly heavy, solid and demanding and in powerful control of her keyboard.” 

       Canberra CityNews, February 2018 (Prokofiev Piano Concerto no.2/Canberra Symphony Orchestra) www.cinqueartistmanagement.com 

      “Tamara-Anna Cislowska’s solos are impeccable – ravishing in the Chopin and Beethoven and crystalline in Pärt’s bell-like Für Alina” – Limelight Magazine, 2017 (Australian Chamber Orchestra: Mountain

      "a true dream team... dazzling... Fasten your seatbelts and hold on." Limelight 2016 (Butterflying, Editor’s Choice August 2016) 

      strong and expansive. She played with a fleet-fingered fluency” 

      The Press News, 2015 (Rachmaninov Rhapsody on a Theme of Paganini, Christchurch Symphony Orchestra) 

      "A highly refined pianist, Cislowska drew kaleidoscopic tones from the instrument, reminding [one] of a young Rubinstein

      - Canberra CityNews, 2014 

      "real mastery... extraordinary stamina and skill" - Canberra CityNews, 2013 

      a fiery and extremely agile technique.. a demonic attack and greatest command over virtuosic textures…” 

      – Sydney Morning Herald 

      "A perfect combination of artistry and virtuosity" - The Strad 

      "Skilful and poetic - a true artist" - The Times 

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