SUDS Presents: Call of the Void

1st April-5th April

Flight Path Theatre

7PM, 1hr 45 min with no intermission.

Directed by Scout McWhinney

Written by Aidan Hale

Produced by Henry Atticus Wilcox

Assistant Produced by Sophie Burrows

Call of the Void is a play about a not-so-unfamiliar version of Australia, where in the context of endless bushfires, floods, inadequate leadership, and a surreal weather condition known as the ‘Static’, people are getting really sick of hearing bad news. So, when word spreads about an elderly man falling to his death, Australians start asking themselves: “How much do I really care?” As feelings of apathy rise across Australia, so does the number of “zombies” – people who have stopped caring to the point of surrendering their own humanity. We follow Kaycee, a policewoman, and the people around her, as they try to make sense of their lives and responsibilities in the face of the apocalypse.

CONTENT WARNINGS

This play contains depictions of suicide, suicidal ideation, blood, violence, alcoholism, coarse language, and
zombies. It is recommended for audiences of sixteen years or over.

CAST
Benita Roy - Kaycee

Isaac Niven Rowlands - Milo

Annabel Johnson - Vinny

Felix Tonkin - Phillip

Gabriel Hannan-Moon - Porkus Cook

Jasmine Jenkins - The Commissioner

Lola Carlton - Ms.

Ana Dougenis - Ensemble

Jessica Louise Smith - Ensemble

Tate Wilkinson Alexander - Ensemble

CREW

Charlie Thomson - Costume Designer

Divya Nandyal - Costume Asst.

Clare Rogan - HMUA

Aspen Lee - Set Designer

Veronika Young - Set Asst.

Alex Mouhtouris - Props

Kaia Krause - Lighting Asst.

Jonathon Nicola - Sound Designer

Caitlyn Johnson - Sound Asst.

Eliza Hoh - Graphics

Louis Beaumont - Photographer/Videographer

Nashy MZ - Stage Manager

Jay Rushwood - Fight Choreographer

Zoe Berg - Wellbeing Officer

Renzo Alcordo - Production Asst.

Selena Madrio - Production Asst.

DISCLAIMER

This play is entirely a work of fiction. All names, characters, businesses, places, and incidents are either the
product of the playwright's imagination or used in a satirical manner. Any resemblance to actual persons,
living or dead, or actual events is purely coincidental.

ACKNOWLEDGEMENT OF COUNTRY

SUDS acknowledges that the Flight Path Theatre resides on the stolen land of the Gadigal people of the Eora nation. As a society that exists to tell stories, it is important to acknowledge that stories were being told on this land for thousands of years before colonisation. SUDS pays respect to elders past, present and emerging.

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