Three Together is a Contact Improvisation workshop led by three dancers: our artist-in-residence Jungwoong Kim, and visiting artists Stephanie Turner and Sarah Konner. Over this three-hour session, participants will explore how bodies can meet, move, and flow as one.

Three Together also offers insights into Jungwoong Kim's process for curating his what we have, that's enough performance series, which has its final showing the following night.

TUITION: $30–Space is limited, so register soon!

TO REGISTER: Select the "pay now" option to contribute to Humanitix campaigns (fees fo to good causes), or select "pay later" to avoid fees (just check your email to arrange payment).

ABOUT THE ARTISTS:

Stephanie Turner is a dance artist and teacher based in Providence, RI currently on faculty at Roger Williams University and MIT. She holds a BFA in dance performance from Rhode Island College and MFA in Choreography from Smith College.

Sarah Konner is a dance artist and maker. She has performed and collaborated with Austin Selden, Jeanine Durning, ChavasseDance & Performance, Sara Shelton Mann, Jenna Reigel, Gabrielle Revlock, and Shura Baryshnikov, among others, and is an Associate Professor at the Boston Conservatory. Sarah holds an MFA in dance from Smith College and is certified in Yoga, Pilates, and Body-Mind Centering. www.SarahKonner.com

Jungwoong Kim born and raised in South Korea, has been a dance/performing artist, choreographer, curator, actor, theater choreographer and arts educator for 25 years. He is trained in Korean martial arts and traditional dance/ritual of Korean shamanism, which strongly inform his aesthetic and artistic vision. Kim describes his practice as “a dynamic dialogue between my training and background in South Korean traditional dance and music and my embrace of western improvisation, especially Contact Improvisation, as a performance medium.” His performance practice spans a spectrum of improvisational solos, durational ensemble work, site-specific engagement with visual and media artists, and characterizations for mainstage and experimental theater. He has performed with noted Contact Improvisors such as Karen Nelson and Christine Simpson. Kim teaches workshops nationally and internationally that focus on movement, deep listening, and observation practices as a form of thinking that we can apply to any aspect of life, be it dancing, making, or being in the world. He has been adjunct faculty at Temple University (Philadelphia PA), University of the Arts (Philadelphia PA), and Franklin & Marshall College (Lancaster PA), and been a visiting teaching artist at Massachusetts Institute of Technology (Boston MA), and Richmond University (Richmond VA). He regularly leads workshops for the Hothouse repertory company of Wilma Theater in Philadelphia, and has led improvisation workshops across the U.S. and in Colombia, Mexico, Argentina, Germany, Japan, Thailand and South Korea. His work has been supported by The Pew Center for Arts & Heritage, and the Knight Foundation among other funders.