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Winter Solstice Brisbane

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Ithaca Hall
Red Hill QLD, Australia
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Performance Dates

Thursday 18 June | 6:00–7:30pm St Luke’s Anglican Church,152 Herries St, Toowoomba. Doors open from 5:30pm for chai, cake, mulled wine, and connection before the performance.

Friday 19 June | 6:00–7:30pm Eudlo Hall, Rosebed St Eudlo, Sunshine Coat Hinterland. Doors open from 5:30pm for homemade soup, chai, cake, mulled wine, and connection before the performance.

Saturday 20 June | 5:00–6:30pm Ithaca Hall, Red Hill, Brisbane. Doors open from 4:30pm for chai, cake, mulled wine, and connection before the performance.

Sunday 21 June | 5:00–6:30pm Witta House Concert (58 Gumland Drive, Witta North Maleny). Doors open from 4:30pm for homemade soup, chai, cake, mulled wine, and connection before the performance.

A Winter Solstice Concert Tour

Fantasies, Nocturnes & Lullabies for Cello & Piano

An intimate Winter Solstice concert celebrating stillness, warmth, and music for dreaming by cello and piano. Inspired by the quiet beauty of winter, these performances invite audiences to slow down, reflect, and gather together through gentle music on the longest nights of the year.

The Winter Solstice has been honoured across cultures for centuries to pause and renew, marking the darkest and shortest day of the year, and the gradual return of light. Traditionally associated with gathering, storytelling, reflection, warmth, and community, it offers a rare invitation in modern life to rest, listen, and reconnect with ourselves and one another.

Through fantasies, nocturnes, lullabies, meditations, and gentle musical landscapes, A Winter Solstice creates a space for calm, contemplation, comfort, and shared listening experience during the heart of winter.

Our Concert Program

An atmospheric classical program inspired by the Winter Solstice, a time for stillness, reflection, renewal, and gathering through the darkest, coldest, and shortest days of the year.

Featuring music by Australian composers Nat Bartsch, Sally Greenaway; French impressionists Erik Satie, Claude Debussy, and Gabriel Fauré; contemporary cinematic voices including Ola Gjeilo, Gabriel Ólafs, Max Richter, Ludovico Einaudi, and minimalist Arvo Pärt; alongside Russian romantic Pyotr Ilyich Tchaikovsky, the concert weaves together fantasies, nocturnes, lullabies, meditations, and gymnopédies in an intimate candle-lit setting.

Gentle, spacious, and restorative, this is music for a dark snug night, an invitation to pause, breathe, listen deeply, and embrace the quiet beauty of winter.

Our Artists

  • Louise King - Artistic Director & Cello

    Louise King - Artistic Director & Cello

    Louise King is an internationally trained Australian cellist, educator, artistic director, and creative producer whose career spans performance, festival direction, teaching, recording, and community arts leadership across the UK, Europe, Asia, and Australia. Known for her expressive artistry, refined musicianship, and connective approach to performance, Louise has established herself as one of Australia’s leading independent contemporary classical musicians. Described by The Australian as possessing “a vigorous artistry that surely appeals to a younger generation of music lovers,” and praised by The Adelaide Advertiser for her “delicious embellishments and tonal subtleties” and “telling clarity and incisiveness,” Louise brings both artistic depth and warmth to her work as performer and curator. Originally from England, Louise trained at the Royal Colleges of Music in London and Manchester, graduating with multiple major awards, scholarships, chamber music prizes, and international competition success. Her postgraduate and masterclass studies included mentorship with some of the world’s most respected cellists and chamber musicians including Christopher Bunting, William Pleeth, Anner Bylsma, Karine Georgian, Ralph Kirshbaum, Leonid Gorokhov, Emma Ferrand, Hannah Roberts, William Bruce and Steven Isserlis, alongside chamber music coaching from members of the Amadeus Quartet, Chilingirian Quartet, Fitzwilliam String Quartet, Lindsay String Quartet, and Kronos Quartet. Before relocating to Australia in 2003, Louise performed extensively throughout the UK, Europe, and Asia with the BBC Philharmonic, the Hallé Orchestra, and the Hong Kong Philharmonic Orchestra. She also worked as a cello tutor, chamber music coach, and conductor with the Junior Department of the Royal Northern College of Music. Now based on the Sunshine Coast Hinterland in regional Queensland, Louise maintains a vibrant and diverse freelance career and has worked with Australian ensembles including the Muses Trio, Australian Chamber Orchestra, Australian Romantic Classical Orchestra, Topology, Queensland Symphony Orchestra, Southern Cross Soloists, Endeavour Trio, Tulipwood Quartet, Driftwood Baroque Ensemble, Australian Chamber Music Collective, Riversuite SQ and she founded the Sunshine Coast Chamber Orchestra in 2015. She has also worked as a recording and session musician with artists including Katie Noonan, Il Divo, Mirusia, and Josh Groban. As founder and artistic director of Cello Dreaming and Long Listen Festival, Louise is widely recognised for creating innovative and immersive music experiences including musician's retreats that blend artistic excellence with storytelling, reflection, education, and community connection. Alongside directing festivals and concert projects, she mentors emerging musicians, leads professional development workshops, presents community arts initiatives. She was Music Director for the Southern Cross Soloists Winter Music School and taught chamber music and cello at the Young Conservatorium Griffith University for ten years. She is regularly invited to adjudicate and present workshops across the country and tutors for the Australian Youth Orchestra. Her work is driven by a belief in music as a powerful tool for wellbeing, transformation, creativity, and belonging, creating concert experiences that invite audiences to listen, slow down, reflect, and connect.

  • Eugenie Tamplon - Piano

    Eugenie Tamplon - Piano

    Russian-German pianist, chamber musician, conductor, and educator Eugenie brings a deeply expressive and collaborative spirit to her performances. Trained in Germany at the University of Münster under Prof. Peter von Wienhardt, she also received important artistic mentorship from distinguished pedagogues Prof. Ilya Scheps and Prof. Gregor Weichert. Since relocating to Australia in 2010, Eugenie has built a rich and multifaceted career as both performer and teacher. Alongside a thriving private studio, she has taught at the Australian Institute of Music in Sydney, the Master Piano Institute, and the Penrith Conservatorium of Music, inspiring students through her warmth, musicianship, and dedication to artistic growth. A passionate collaborative artist, Eugenie has performed widely as both soloist and chamber musician, appearing alongside acclaimed vocalists including Barbara Jin, Ayşe Göknur Shanal, Lilija Sile, Kaine Hayward, and Nicole Giezekamp. In 2022, she co-founded The Storytellers Ensemble, which made its acclaimed debut at the Sydney Opera House. Her performances have featured at leading venues and festivals including the Joan Sutherland Performing Arts Centre, the Art Song Canberra, the Art of Sound Festival at Western Sydney University, Penrith Regional Gallery, the Westley Theatre, and Verbrugghen Hall. In 2019, Eugenie was awarded the Louise Crossley Scholarship for Female Conductors and subsequently appeared as assistant conductor and pianist with the Penrith Symphony Orchestra from 2022–2025. Now based on the beautiful Sunshine Coast with her family, Eugenie continues to share her love of music through performance, collaboration, teaching, and community connection.

Our Music

  • Part One

    Louise King - A Solstice Blessing (solo cello) A gentle invocation opening the evening with resonance, and contemplation. Gabriel Ólafs - Nokturna (solo piano) Nordic minimalism filled with stillness and suspended time. Claude Debussy - Arabesque No. 1 (solo piano) Debussy’s shimmering textures evoke movement, moonlight, and crisp winter air. Nat Bartsch - Hope (cello & piano) Contemporary Australian music offering warmth and gentleness. Ola Gjeilo - Winter Light (cello & piano) A brief meditation inspired by Nordic landscapes and sacred stillness. Sally Greenaway - Poems I, II & III (cello & piano) Three intimate musical reflections unfolding like fragments of poetry. Max Richter - On the Nature of Daylight (cello & piano) One of contemporary music’s most moving meditations on memory, grief, beauty, and humanity. Claude Debussy - Rêverie (cello & piano) Dreamlike and floating, this music drifts gently between melancholy and serenity. INTERVAL We invite you to stretch, enjoy chai, mulled wine, soup, and cake, and take time to connect, reflect, or journal.

  • Part Two

    Erik Satie - Gymnopédie No. 1 (solo piano) Quietly hypnotic and timeless, Satie’s music invites complete relaxation and inward reflection. Pyotr Ilyich Tchaikovsky - June: Barcarolle from The Seasons (solo piano) Flowing gently like water beneath moonlight, this is a beloved miniature. Claude Debussy - Clair de Lune from Suite Bergamasque (cello & piano) An ode to moonlight and tenderness Arvo Pärt - Spiegel im Spiegel (cello & piano) One of the great modern meditations, pure, and transcendent. Amy Beach - Dreaming from Sketches Op.15 (cello & piano) Romantic and nostalgic, this music glows with a mother’s warmth and tenderness. Frédéric Chopin - Sonata Op.65 III Largo (cello & piano) A reflective slow movement filled with stillness, longing, and introspection. Ludovico Einaudi - Petrichor (cello & piano) Atmospheric contemporary music inspired by rain, earth, and renewal after drought.

About Our Concert

A Winter Solstice | Fantasies, Nocturnes & Lullabies for Cello & Piano is an intimate concert for cello and piano featuring reflective classical and contemporary repertoire presented in a candle-lit (battery) setting. The program includes works by Australian, French, Nordic, and Russian composers and explores themes of stillness, renewal, contemplation, and connection associated with the Winter Solstice season.

The event is designed as a relaxed listening experience with seated audience. Light refreshments including tea, chai, coffee, and cake will be served before the performance and during interval.

Doors & Hospitality

Patrons are warmly invited to arrive 30 minutes prior to the performance to gather, settle, and connect before the music begins. A selection of homemade soup, mulled wine, chai, tea, coffee, and cake will be available for purchase from the kitchen, creating a relaxed and cosy winter atmosphere.

Proceeds from hospitality sales will support the presentation costs of this independent performance project, including artist fees, with any additional profit donated to the Long Listen Festival EOFY fundraising campaign. LINK

Stage & Atmosphere

Our spaces will be transformed into an intimate Nordic-inspired winter sanctuary with candlelight, fairy lights, natural flora, and rosemary for remembrance, designed to create warmth, calm, and stillness.

Patrons may choose to sit or lie down in the front relaxation area or in a spot of their choosing. Guests choosing this experience are encouraged to BYO yoga mat, blanket, and cushion for comfort and cosy listening.

Patrons are encouraged to fully settle into the atmosphere by bringing a journal, sketchbook, knitting, poetry, or a quiet creative practice to accompany the listening experience. Guests may rest, reflect, dream, create, write, think, or enjoy a rare moment of stillness while listening to our gentle music.

Watch Louise King (Cello Dreaming)

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Ithaca Hall
Red Hill QLD, Australia
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