Jake Shulman-Ment Duo with Brivele!

Part of The Portland Jewish Music Festival!

Saturday night Klez with internationally renowned violinist Jake Shulman-Ment performing with oudist and guitarist Yoshie Fruchter. Seattle based duo Brivele opens.

All Ages/ $22 Advanced, $25 Doors

About Jake Shulman-Ment
Brooklyn-based Jake Shulman-Ment is among the most highly regarded klezmer musicians performing today. He tours and records internationally as a soloist, and with Midwood, Daniel Kahn, Joey Weisenberg, Abigale Reisman, Pete Rushefsky, and many others. Past collaborators have included The Painted Bird, Di Naye Kapelye, The Brothers Nazaroff, Frank London, Sanda Weigl, Adrian Receanu, Duncan Sheik, Francesca Ter-Berg, Laurel Premo, Ali Dineen, Michael Alpert, Fleytmuzik, MetroFolk, and Romashka.

Jake performs tonight with Yoshie Fruchter. Yoshie Fruchter is a guitar, bass and oud player. Fruchter is notable for his work in composing and interpreting Jewish music, and has forged new directions with his performance, regardless of genre. His current project, Sandcatchers, in which he plays oud and is joined by lap steel player Myk Freedman and Erik Friedlander on cello, explores the sounds of the Middle East combined with the American South.

Brivele is a Seattle-based duo who braid together Yiddish song, anti-fascist and labor balladry, folk-punk, and contemporary rabble-rousing in stirring vocal harmony. Brivele is touring in support of their forthcoming album, “Khaveyrim Zayt Greyt,” which will be released on May 1, 2025 through Borscht Beat records.

In Yiddish, Brivele (בריוועלע) means "little letter." Like letters, songs travel — through time and over borders. They pick up dirt, aromas, fingerprints. They are sent to lovers, they foment revolution, they get stolen and censored, burned and salvaged, sewn into our clothes.

Brivele is Maia Brown and Stefanie Brendler, who journey into the archives of Yiddish anti-fascist musical tradition, bringing together anti-authoritarian satire, mournful remembrances, and the disguised political commentary in folk ditties and theater classics. These songs are a correspondence: ancestors' voices speaking clearly and uncompromisingly, sometimes sweetly, to the present moment.